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Trasvases entre la Literatura y el Cine
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18 Items
All Items
Intertextual interferences between Lovecraft, Sartre, and Cronenberg
Alfonso Freire-Sánchez, Maria Fitó-Carreras, Montserrat Vidal-Mestre
10-23
Accommodation of Data Requirements Analysis to the Philological Context of the CIRCE Proje
Arturo Mora-Rioja
71-82
Adapting Diana de Belflor: The Dog in the Manger’s Soviet Adventures
Veronika Ryjik
31-54
Comparative Analysis of He Said Yes/ He Said No, by Bertolt Brecht and Dogville, by Lars Von Trier.
Breaking of the Aristotelian Precepts and Eastern Theatre Influence
María Hernández Rodríguez
89-116
Conversations between William Faulkner, Murakami Haruki and Lee Chang-dong: Burning
Réka Havassy
29-48
Cronenberg Adapts (Us to) McLuhan: Watching "Videodrome", Reading "Understanding Media"
Leonid Bilmes
24-49
Don Quixote in China: don Quixote's cinematic journey through jianghu
Xinjie Ma, Sergio Jesús Villén Higueras
7-28
From the Paris Uprising to the Samurai Rebellion: The Cultural Transformation of Les Misérables in Japanese Silent Cinema
Alex Pinar
49-64
Imagining Identity: From Molière’s comedy to Howard Hawks and Frank Capra
Rebeca Romero Escrivá, Javier Alcoriza Vento
11-30
Introduction to the monograph Filmic-literary dialogues between East and West
Coord. by Alex Pinar
Alex Pinar
5-6
Making flesh the polluting word: David Cronenberg and The Naked Lunch by William Burroughs
Francisco Javier Fernández Pérez
64-87
Masks and Shadows. The construction of the self in A Dangerous Method (2011)
Guillermo González Hernández
127-153
Multimediality, Translation and Censorship.
Conflicted Gender Constructs in Estudio Uno's (RTVE) Early-Modern Audiovisual Theatre Adaptions
Diego Ernesto Parra Sánchez, Elena Castellano Ortolá
83-95
Ontology of Impact: A History of the Future in Crash (David Cronenberg, 1996)
Iván Gómez García
88-112
Richard III: Comparative Analysis of the Television Version by Carmelo Bene and La Rose et la Hache by Georges Lavaudant
Daniel Moisés Ambrona Carrasco
55-69
Spider: The hallucination as a spring of reality
Oriol Alonso Cano
113-126
The Fly (1986): Science and Body Horror in David Cronenberg’s Cinema
Xavier Brito Alvarado, Ana Sedeño-Valdellos
50-63
Transnational adaptation as a path to formal heterogeneity in Oyuki, the virgin (Kenji Mizoguchi, 1935)
Miguel Muñoz-Garnica
65-87
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