No. 1 (2019): Número 1

View No. 1 (2019): Número 1

DOI: https://doi.org/10.24310/Trasvasestlc.v1i0

Published: 2019-12-18

Full Issue

Monograph Introduction

Introduction to Fertile dialogues between Japanese narrative and cinema (coord. by Antonio Míguez Santa Cruz) Coord. by Antonio Míguez Santa Cruz

Antonio Míguez Santa Cruz

9-10
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Monographic: Fertile dialogues between Japanese narrative and cinema

Chiaroscuros of the heart: Kokoro (Natsume S?seki-Kon Ichikawa)

Laura Montero Plata

11-36
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Phantom Lights: Word and Image (Maborosi)

Linda C. Ehrlich

37-50
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The end of adolescence. Love & Pop: narrative and cinematographic sources in the audiovisual adaptation of the literary discourse

Melanie Ruybal

51-60
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In the footsteps of Sadako. The spectrum of literature taken to the cinema

Antonio Míguez Santa Cruz

61-80
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From the word to the image: Dark Water, a ghost tale

José Eduardo Bazán Guzmán

81-93
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Miscellaneous

The passions of Joanna the Mad in Spanish cinema: from history and theatre to adaptations, re-adaptations and mixed remake

Miguel Dávila Vargas-Machuca

97-128
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Colloquiality in the cinematographic adaptation of the theatrical text: a proposal of interdisciplinary study with the example of Bajarse al moro

Juan García-Cardona, Irene Checa-García

129-150
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Four characters looking for themselves. Comparative analysis of the presence and consequences of war in the novel and film The English Patient

Sofía Malvido Cordeiro

151-166
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Literary myths and their transfer to the cinema. Towards a new post-terrifying paradigm: the socialization of the monster

Pedro Pujante

167-180
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The Frankenstein Myth in Film: Transmediation and Science Fiction (Blade Runner and 2049)

Laura Sánchez López

181-196
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Guillermo Arriaga. The Border Story

Gabriel Ródenas

197-206
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Creator's Voice

Entrevista a Elvira Lindo

209-216
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Reviews

Manuel España Arjona, La recepción de la narrativa picaresca en la serie televisiva «El pícaro» (Fernando Fernán-Gómez, 1974)

Diego Maíllo Baz

217-220
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Rafael Malpartida Tirado (coord.), Recepción y canon de la literatura española en el cine

Carlos G. Pranger

221-226
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Antonio Santos, Tiempos de ninguna edad. Distopía y cine

Ana María Aragón Sánchez

227-229
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Adaptación 2.0. Estudios comparados sobre intermedialidad. In honorem José Antonio Pérez Bowie

Marta García Villar

231-233
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Author Guidelines

Journal Scopus, Review Process and Author Guidelines

234-241
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