Theo Angelopoulos, paisaje, hombre. Entre la tragedia griega de la historia y la desgracia de los hombres
DOI:
https://doi.org/10.24310/Fotocinema.2014.v0i9.5971Abstract
La Historia griega y la herencia cultural mítica y rural recorren la filmografía de Theo Angelopoulos en obras donde el viaje marca la estructura principal de sus películas a través de la figura de un hombre/personaje. El presente análisis pretende desentramar la moral que le mueve, ya sea existencial o de cualquier otro tipo, así como investigar la naturaleza de su desgracia y el motivo de ésta, fijándose en el papel que adquiere el hombre y de qué manera influyen en él elementos como la Historia, el paisaje y el destino, así como la forma en la que se relacionan entre sí a lo largo del viaje.Abstract:
Greek History, mythical culture and rural culture are all present in Theo Angelopoulos’ filmography, in which the journey marks the main structure of his films through the figure of a man/ character. This analysis seeks to unravel the moral that move him, either existential or any other kind, as well as researches the nature of his misfortune and the reason of it, focusing on the role that man takes on and how it affects in him through various elements, such as History, landscape and destiny. Furthermore it examines how each of the elements relates to each other along the journey.
Palabras clave:
Theo Angelopoulos; cine griego; tragedia griega; paisaje; análisis fílmico.
Keywords:
Theo Angelopoulos; Greek cinema; Greek tragedy; Landscape; Film Analysis.
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