Arte y Cine. Movimientos artísticos y cinematográficos tras 1945. Reseña de Jorge Daza Llorens

Mario-Paul Martínez; Miguel Herrero Herrero

doi:10.24310/Fotocinema.2019.v2i19.6669

Arte y Cine. Movimientos artísticos y cinematográficos tras 1945. Review by Jorge Daza Llorens

Authors

Mario-Paul Martínez Universidad Miguel Hernández Spain
Miguel Herrero Herrero Spain

DOI:

https://doi.org/10.24310/Fotocinema.2019.v2i19.6669

Keywords:

cinema, art

Abstract

Reseña del libro de Martínez, Mario-Paul y Herrero Herrero, Miguel (Eds.). (2018). Arte y Cine. Movimientos artísticos y cinematográficos tras 1945. Sax, Alicante: Cinestesia.

Downloads

Download data is not yet available.

Metrics

Metrics Loading ...

Author Biographies

Mario-Paul Martínez, Universidad Miguel Hernández

Profesor ayudante doctor. Director del Grupo de Investigación Massiva que estudia la interrelación de las artes audiovisuales y la cultura de masas, y co-dirige el Título de Experto en Diseño y Creación de Videojuegos desarrollado por la Universidad de Alicante y la Universidad Miguel Hernández.

Miguel Herrero Herrero

Dirige el Festival Internacional de Cine de Sax (Alicante).

References

Martínez, Mario-Paul y Herrero Herrero, Miguel (Eds.). (2018). Arte y Cine. Movimientos artísticos y cinematográficos tras 1945. Sax, Alicante: Cinestesia.

Downloads

Published

2019-07-22

How to Cite

Martínez, M.-P., & Herrero Herrero, M. (2019). Arte y Cine. Movimientos artísticos y cinematográficos tras 1945. Review by Jorge Daza Llorens. Fotocinema. Revista científica De Cine Y fotografía, 19, 398–400. https://doi.org/10.24310/Fotocinema.2019.v2i19.6669

Download Citation

Issue

Vol. 19 (2019)

Section

Diálogos y reseñas

License

All contents published in Fotocinema Revista científica de cine y fotografía are protected under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license. All about this license is available in the following link: <http://creativecommons.org/licenses/by-nc-sa/4.0>

Users can copy, use, redistribute, share and exhibit publicly as long as:

The original source and authorship of the material are cited (Journal, Publisher and URL of the work).
It is not used for comercial purposes.
The existence of the license and its especifications are mentioned.

There are two sets of authors’ rights: moral and property rights. Moral rights are perpetual prerogatives, unrenounceable, not-transferable, unalienable, imprescriptible and inembargable. According to authors’ rights legislation, Fotocinema. Revista científica de cine y fotografía recognizes and respects authors moral rights, as well as the ownership of property rights, which will be transferred to University of Malaga in open access. The property rights are referred to the benefits that are gained by the use or the dissemination of works. Fotocinema. Revista científica de cine y fotografía is published in an open access form and it is exclusively licenced by any means for doing or authorising distribution, dissemination, reproduction, , adaptation, translation or arrangement of works.

Authors are responsable for obtaining the necessary permission to use copyrighted images.