La parte de los ángeles: ascenso y forja del héroe como relato social
DOI:
https://doi.org/10.24310/Fotocinema.2014.v0i8.5950Abstract
La parte de los ángeles (Angels´Share, 2012) es uno de los últimos trabajos dirigidos por Ken Loach y en el que el cineasta vuelve a incidir en una de las constantes que vertebran su obra: la hibridación entre un cine de denuncia social, que pone el acento en la situación de las clases más desfavorecidas y/o de aquellos individuos excluidos de un sistema de bienestar en crisis, con estrategias narrativas propias del cine popular de género. En esta ocasión, Loach plantea un relato que, bajo el realismo de su apariencia formal, reproduce los arquetipos y la estructura del viaje del héroe campbelliano, en un guión que hibrida una trama de ascenso y redención con la búsqueda de un tesoro simbólico.
Palabras clave:
Análisis narrativo; Ken Loach; crisis del estado de bienestar; viaje del héroe; Campbell; realismo social; hibridación genérica
Keywords:
Narrative analysis; Ken Loach; crisis of the welfare State; hero´s journey, Campbell, social realism, hibridization off genres
Downloads
Metrics
Publication Facts
Reviewer profiles N/A
Author statements
Indexed in
-
—
- Editor & editorial board
- profiles
- Academic society
- N/A
- Publisher
- Universidad de Málaga
To learn about these publication facts, click 
PF is maintained by the Public Knowledge Project
Downloads
Published
How to Cite
Issue
Section
License
All contents published in Fotocinema Revista científica de cine y fotografía are protected under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license. All about this license is available in the following link: <http://creativecommons.org/licenses/by-nc-sa/4.0>
Users can copy, use, redistribute, share and exhibit publicly as long as:
- The original source and authorship of the material are cited (Journal, Publisher and URL of the work).
- It is not used for comercial purposes.
- The existence of the license and its especifications are mentioned.
There are two sets of authors’ rights: moral and property rights. Moral rights are perpetual prerogatives, unrenounceable, not-transferable, unalienable, imprescriptible and inembargable. According to authors’ rights legislation, Fotocinema. Revista científica de cine y fotografía recognizes and respects authors moral rights, as well as the ownership of property rights, which will be transferred to University of Malaga in open access. The property rights are referred to the benefits that are gained by the use or the dissemination of works. Fotocinema. Revista científica de cine y fotografía is published in an open access form and it is exclusively licenced by any means for doing or authorising distribution, dissemination, reproduction, , adaptation, translation or arrangement of works.
Authors are responsable for obtaining the necessary permission to use copyrighted images.
13.png)
