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No. 8 (2020): Revista Eviterna nº 8, septiembre 2020
No. 8 (2020): Revista Eviterna nº 8, septiembre 2020
DOI:
https://doi.org/10.24310/Eviternare.vi8
Published:
2020-09-23
Artículos
The first dressmakers in the Royal Wardrobe of Queen María Luisa de Parma (1789-1808)
Sandra Antúnez López
1-12
PDF (Español)
Rhetoric of expectation
The film Dune as a result of director Denis Villeneuve's ethos
Juan Manuel Arriaga Benítez
13-32
PDF (Español)
A new example of gothic architecture in Melilla: the disappeared Church of San Miguel
Sergio Ramírez González, Antonio Bravo Nieto
33-50
PDF (Español)
Antonio De Bellis
The (very uncertain) biographical events and some considerations
Giuseppe Gambino
51-70
PDF (Español)
The artistic construction of indigenous space and itinerant landscapes
Elisa Garrido
71-87
PDF (Español)
Close relationships
(Re) readings of oral sex and cannibalism in the work of Félix González-Torres
Javier Iáñez Picazo
88-102
PDF (Español)
The burning and confiscation of books as a paradigm of religious censorship in Ancient Rome
Diego Meseguer González
103-122
PDF (Español)
Visual manifestations of the law in the visuality of Justice
María Montesinos Castañeda
123-143
PDF (Español)
The Virgen del Prado dressing room in Ciudad Real Cathedral
Brief notes of its architecture
Álvaro Notario Sánchez
144-161
PDF (Español)
Terror and bureaucracy: the theater of the Grand Guignol of Paris and censorship
ALEJANDRO OCAÑA FERNANDEZ
162-180
PDF (Español)
Drawing-based heritage analysis: visual hypothesis about the shrines paintings of the external gallery in the Peinador de la Reina (queen’s dressing room) of the Alhambra
María Isabel Puerto Fernández
181-202
PDF (Español)
The Company of Death
Between reality and legend
María Gaia Redavid
203-217
PDF (Español)
The Neo-gothic façade of the Cathedral of Barcelona
Safeguard and transfiguration of the medieval memory
Lorena da Silva Vargas
218-235
PDF (Español)
The La graffiti art e la scoperta del murales di Keith Haring ad Amsterdam
Caterina Soliani
236-249
PDF
“I’m half sick of shadows”. Alfred Tennyson’s The Lady of Shalott as a metaphor for the Victorian ideal of femininity and its reflection in the 19th century art.
Rocío Soto Delgado
250-267
PDF (Español)
Crítica
Cuarzo Aura. Since Art is Art. Since the world is world
Irene León Estrella
268-272
PDF (Español)
Orgasm
Pablo Fernández Cordón
273-276
PDF (Español)
Reseña
Ramírez González, S. (2018). The Maria Cristina of Malaga Unicaja concert hall. Historical evolution and artistic heritage. Málaga: Publications service of the Unicaja Foundation
Reseña
Iluminada Rodríguez Morgado
277-279
PDF (Español)
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(2695)
Muerte y cambios de mentalidad en la Europa del siglo XIV
(666)
La democratización de la cultura y la socialización del conocimiento en un contexto de crisis
(595)
El tipo iconográfico de las brujas y hechiceras de la antigua Grecia
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El cine como origen de la transformación
(416)
La Casa Behrens: análisis de una obra de arte total
(787)
Maruja Mallo (1902-1995): Mujer y Mujeres
(470)
Muerte y cambios de mentalidad en la Europa del siglo XIV
(434)
La Ilíada como palimpsesto
(380)
Lo fantástico en Maya Deren
(352)
Christoph Weiditz y el Trachtenbuch
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