No. 8 (2020): Revista Eviterna nº 8, septiembre 2020

DOI: https://doi.org/10.24310/Eviternare.vi8

Published: 2020-09-23

Artículos

• The first dressmakers in the Royal Wardrobe of Queen María Luisa de Parma (1789-1808)

  Sandra Antúnez López

  1-12

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• Rhetoric of expectation The film Dune as a result of director Denis Villeneuve's ethos

  Juan Manuel Arriaga Benítez

  13-32

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• A new example of gothic architecture in Melilla: the disappeared Church of San Miguel

  Sergio Ramírez González, Antonio Bravo Nieto

  33-50

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• Antonio De Bellis The (very uncertain) biographical events and some considerations

  Giuseppe Gambino

  51-70

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• The artistic construction of indigenous space and itinerant landscapes

  Elisa Garrido

  71-87

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• Close relationships (Re) readings of oral sex and cannibalism in the work of Félix González-Torres

  Javier Iáñez Picazo

  88-102

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• The burning and confiscation of books as a paradigm of religious censorship in Ancient Rome

  Diego Meseguer González

  103-122

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• Visual manifestations of the law in the visuality of Justice

  María Montesinos Castañeda

  123-143

  • PDF (Español)

• The Virgen del Prado dressing room in Ciudad Real Cathedral Brief notes of its architecture

  Álvaro Notario Sánchez

  144-161

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• Terror and bureaucracy: the theater of the Grand Guignol of Paris and censorship

  ALEJANDRO OCAÑA FERNANDEZ

  162-180

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• Drawing-based heritage analysis: visual hypothesis about the shrines paintings of the external gallery in the Peinador de la Reina (queen’s dressing room) of the Alhambra

  María Isabel Puerto Fernández

  181-202

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• The Company of Death Between reality and legend

  María Gaia Redavid

  203-217

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• The Neo-gothic façade of the Cathedral of Barcelona Safeguard and transfiguration of the medieval memory

  Lorena da Silva Vargas

  218-235

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• The La graffiti art e la scoperta del murales di Keith Haring ad Amsterdam

  Caterina Soliani

  236-249

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• “I’m half sick of shadows”. Alfred Tennyson’s The Lady of Shalott as a metaphor for the Victorian ideal of femininity and its reflection in the 19th century art.

  Rocío Soto Delgado

  250-267

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Crítica

• Cuarzo Aura. Since Art is Art. Since the world is world

  Irene León Estrella

  268-272

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• Orgasm

  Pablo Fernández Cordón

  273-276

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Reseña

• Ramírez González, S. (2018). The Maria Cristina of Malaga Unicaja concert hall. Historical evolution and artistic heritage. Málaga: Publications service of the Unicaja Foundation Reseña

  Iluminada Rodríguez Morgado

  277-279

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