Actancial readjustment in The Story of My Wife: from Milán Füst to Ildikó Enyedi
DOI:
https://doi.org/10.24310/tlc.5.2023.16513Keywords:
film adaptation, marriaage, jeloussy, The Story of My Wife, Literature, Cinema, Ildikó Enyedi, Milán FüstAbstract
This article examines The Story of My Wife (2021), a film adaptation by Ildikó Enyedi, based on the homonymous novel (1942) by Milán Füst, which is considered a key work of 20th century Hungarian literature. On the one hand, it aims to demonstrate how a successful transfer between literature and film takes place; on the other hand, it investigates the representation of the total failure of a marriage. Among the productive aspects when studying the adaptation process, the function of the characters and, in this particular case, the role played by the female figure stand out. In this way, both “the story” and “the woman” are highlighted: both the inherent differences between literary and filmic language, as well as the readjustments with respect to the protagonist's wife.
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