LA TRADUCCIÓN COMO GÉNERO LITERARIO EN EL RENACIMIENTO FRANCÉS
DOI:
https://doi.org/10.24310/Entreculturasertci.vi1.11820Keywords:
literary translation, literary genre, Renaissance, France, Étienne Dolet, Jacques Peletier du Mans, Thomas Sébillet, Joachim Du BellayAbstract
This article is circumscribed by literary translation studies and addresses how translation became another literary genre during the French Renaissance as an immediate consequence of humanism. For that purpose, it examines the treatment of translation by four of the most important theorists of the French Renaissance in the 1690s: Étienne Dolet (Manière de bien traduire d’une langue en aultre, 1540), Jacques Peletier du Mans (L’Art poétique d’Horace traduit en vers français, 1541), Thomas Sébillet (Art Poëtique François, pour l’instruction des jeunes studieus, et encor peu avancez en la Poësie Françoise, 1548) and Joachim Du Bellay (Deffence et Illustration de la langue françoyse, 1549).
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