Reescrituras míticas y el giro de ficción en traducción:  Achilles, de Elizabeth Cook

Daniel Nisa Cáceres

doi:10.24310/ertci.14.2024.17539

Autores/as

Daniel Nisa Cáceres Universidad Pablo de Olavide España https://orcid.org/0000-0002-0914-5527

DOI:

https://doi.org/10.24310/ertci.14.2024.17539

Palabras clave:

travestismo, giro de ficción en traducción, reescritura femenina, Elizabeth Cook, Aquiles

Resumen

Este artículo explora la novela Achilles (2001), de Elizabeth Cook. El objetivo es abordar analíticamente el llamado giro de ficción o novelesco contra el telón de fondo de la ardua tarea de deslindar las fluidas categorías que conforman el acto traslativo y las reescrituras contemporáneas de autoría femenina de la tradición clásica. Con ese fin, se explora críticamente cómo Cook interroga actitudes tradicionalmente androcéntricas hacia la épica homérica y cómo estas quedan vertidas en la traducción de la novela al español en 2003. Si bien Cook construye su compleja transversalidad retórica entre la traducción y la ficcionalidad sobre un dialogismo intratextual e intertextual, también lo hace sobre múltiples tropos traslativos y de transición liminal, entre ellos el travestismo de Aquiles. La remozada narrativa homérica resultante sintetiza así una teorización traductológica y la integra en una ficción de respuesta abierta.

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