Imaginarios del cuerpo y la memoria del cine contemporáneo: reflexiones sobre el cine de Miguel Gomes y Joao Pedro Rodrigues
DOI:
https://doi.org/10.24310/Fotocinema.2016.v0i13.6064Abstract
La historia de la representación humana ha sido, de alguna manera, la de la representación del cuerpo. La atención sobre los procesos de formación del sujeto viene siendo una constante de la estética y la creación contemporánea desde los años sesenta,y la teoría social lo percibió como problema y temática poco después. A las representaciones audiovisuales el cuerpo ha llegado especialmente desde los campos del videoperformance aunque más recientemente de la mano de la creación fílmica contemporánea. En primer lugar, en el trabajo se realiza un análisis del cine actual a través de conceptos como los de embodiment (Merleau-Ponty) o gestus (Deleuze), especialmente en obras como O fantasma (2000), Odete (2005) o Morrer come um homem (2009), todas de Joao Pedro Rodrigues, cineasta luso. En segundo lugar, el trabajo sobre la memoria y el pasado colonial se encuentra en el centro de las películas de Miguel Gomes como Tabú (2012) o Aquele querido mês de agosto (2008).
Abstract:
The history of human representation has been the representation of the body. The attention to the processes of formation of the subject is still a constant of aesthetics and contemporary art since the sixties, and social theory perceived it as a problem and issue. The body has come to the audiovisual performances from the fields of video performance, and even more recently by the hand of contemporary filmmaking. First of all, in this paper we analyse some films through concepts about the body such as embodiment (Merleau-Ponty) or gestus (Deleuze), especially in works such as O Fantasma (2000), Odete (2005) or Morrer come um Homem (2009), by the Portuguese filmmaker Joao Pedro Rodrigues. On the second hand, the cinematic work about memory and colonial past is in the center of Miguel Gomes´ movies, such as Tabu (2012) or Aquele querido mês de agosto (2008).
Palabras clave:
cine portugués; cine contemporáneo; Miguel Gomes; Joao Pedro Rodrigues; cuerpo en ciencias sociales
Keywords:
Portuguese cinema; contemporary cinema; Miguel Gomes, Joao Pedro Rodrigues; body in social sciencesDownloads
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