La risa en La Ricotta de Pasolini
DOI:
https://doi.org/10.24310/Fotocinema.2013.v0i7.5930Abstract
El presente ejercicio teórico toma como objeto de su estudio la risa dentro de la narración cinema-tográfica a partir de un fragmento escogido del filme de Pasolini, La ricotta (1963).Para ello articularemos nuestro análisis en dos episodios: el primero dirigido al repaso teórico e histórico de la risa; el segundo, a la aplicación de las directrices metodológicas rescatadas del primero al análisis cinematográfico de nuestro caso de estudio.
Se trata de analizar el comporta-miento de la risa a partir de los elementos que componen la historia cinematográfica: los narrativos y los estilísticos. La finalidad del texto será la de estudiar la disyunción entre imagen fija e imagen movimiento tomando la risa como el punto de inflexión entre ambas.
Abstract:
This essay is based on the study of laughter in cinematic storytelling from a chosen fragment of Pasolini's film, La ricotta (1963). This paper will be structured in two stages: the first one related to theoretical and historical overview of laughter, and the second one on film analysis taking in consideration the previous concepts underlined at the first stage.
That means to analyse the behaviour of laughter through the elements that are involved in the construction of a film story: narratives elements and stylistic elements. The aim of this essay is to study the relationship between still image and moving image, taking laughter as the turning point between those types of images.
Palabras clave:
Risa; mecánico; viviente; imagen fija; imagen movimiento.
Keywords:
Laughter; mechanical; living; still image; moving image.Downloads
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