Nature in Virxilio Viéitez’s photography
DOI:
https://doi.org/10.24310/Fotocinema.2019.v0i18.5535Keywords:
Virxilio Viéitez, Nature, Ecocriticism, Landscape, Animals, RuralAbstract
The present essay suggests an approach to the archive of Galician rural photographer Virxilio Viéitez (1930-2008) from the theoretical view of ecocriticism, with the aim of delve into the role of nature in his photographs. The analysis is organized in three points; the first, representation of landscape, poses a characterization of the unit landscape of the region in which the photographer performed his work, Terra de Montes (Pontevedra), and studies the role that humans play in it. The second, animals, offers a proposal of classification for the species that appear in the archive according to their relation to human being and introduces the notion of “change”, essential in the third point, the image of the rural, which defines the vision of the village the archive gives and its chronological variations. In the conclusion the previous points are brought to the current reality of rural Galicia with the objective of inspiring a response from rural activism to the process of “urban colonization” of the rural area that is demonstrated throughout the work.
Downloads
Metrics
References
Acuña Trabazo, A. & Gestido de la Torre, E. (2009). A matanza: aproximación etnográfica e comunicativa. En G. Rei-Doval (Ed.), A lingüística galega desde alén mar (pp. 133-155). Santiago de Compostela: Universidade de Santiago de Compostela.
Aguilera Aranaz, M., Carabias Álvaro, A., Ledo Arias, A., Urrutia Baliño, M. & Verdial Garay, P. (2011). Virxilio Vieitez. Vigo: Fundación MARCO, Fundación Telefónica.
Berger, J. (1980). Why Look at Animals. En About Looking (pp. 3-28). Nueva York: Vintage International.
Fitter, C. (1995). Poetry, space, landscape: toward a new theory. Cambridge: Cambridge University Press.
Glotfelty, C. (1996). Los estudios literarios en la era de la crisis medioambiental (trad. Villanueva Romero, D.). En J. Barella Vigal, C. Flys Junquera & J. M. Marrero Henríquez (Eds.), Ecocríticas: literatura y medio ambiente (pp. 49-65). Madrid: Iberoamericana Vervuet.
Gondar Portasany, M. (2000). Virxilio Vieitez ou a realidade en traxe de domingo: unha lectura antropolóxica. En J. Fontcuberta (Ed.), Virxilio Viéitez: o retrato (pp. 33-49). Vigo: Grupo de Investigacións Fotográficas, Universidade de Vigo.
González Méndez, M. (1995). A montaña e a aldea galega: carencias e desenvolvemento. FEGAMP: revista da Federación Galega de Municipios e Provincias, 9, 81-84.
Lucas, A. (2010). La revelación de lo inmóvil. Formas de orbitar alrededor de Virxilio Vieitez. En M. Aguilera Aranaz et al. (Eds.), Virxilio Vieitez (pp. 37-48). Vigo: Fundación MARCO, Fundación Telefónica.
Sendón, M. (2000). Análise da obra de Virxilio Vieitez no período 1955-65. En J. Fontcuberta (Ed.), Virxilio Viéitez: o retrato (pp. 11-31). Vigo: Grupo de Investigacións Fotográficas, Universidade de Vigo.
Sendón, M. (2013). Diamante Virxilio. https://manuelsendon.wordpress.com/textos/virxilio-vieitez/diamante-virxilio-retratos-da-maxia-cotia-faro-da-cultura-2013/
Sendón, M. & Suárez Canal, X. L. (1998). Virxilio Vieitez. Vigo: Centro de Estudos Fotográficos.
Otero Pedrayo, R. (1922). Encol da aldeia. En M. Cuquejo (Ed.), Sereno e grave gozo: ensaios sobre a paisaxe (pp. 36-57). Vigo: Galaxia, 1999.
Otero Pedrayo, R. (1932). Encol do elemento animal na paisaxe. Nós, 105, 158-162.
Otero Pedrayo, R. (1955). Ensaio sobor da paisaxe galega. En M. Cuquejo (Ed.), Sereno e grave gozo: ensaios sobre a paisaxe (pp. 114-177). Vigo: Galaxia, 1999.
Terré, L. (2008). Virxilio Vieitez: un archivo rural. Madrid: La Fábrica.
Willoquet-Maricondi, P. (2010). Introduction: from Literary to Cinematic Ecocriticism. En Framing the World: Explorations in Ecocriticism and Film (pp. 1-24). Charlottesville: University of Virginia Press.
Downloads
Published
How to Cite
Issue
Section
License
All contents published in Fotocinema Revista científica de cine y fotografía are protected under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license. All about this license is available in the following link: <http://creativecommons.org/licenses/by-nc-sa/4.0>
Users can copy, use, redistribute, share and exhibit publicly as long as:
- The original source and authorship of the material are cited (Journal, Publisher and URL of the work).
- It is not used for comercial purposes.
- The existence of the license and its especifications are mentioned.
There are two sets of authors’ rights: moral and property rights. Moral rights are perpetual prerogatives, unrenounceable, not-transferable, unalienable, imprescriptible and inembargable. According to authors’ rights legislation, Fotocinema. Revista científica de cine y fotografía recognizes and respects authors moral rights, as well as the ownership of property rights, which will be transferred to University of Malaga in open access. The property rights are referred to the benefits that are gained by the use or the dissemination of works. Fotocinema. Revista científica de cine y fotografía is published in an open access form and it is exclusively licenced by any means for doing or authorising distribution, dissemination, reproduction, , adaptation, translation or arrangement of works.
Authors are responsable for obtaining the necessary permission to use copyrighted images.