About the sensitibility of the cinema spectator according to Julián Marías
DOI:
https://doi.org/10.24310/Fotocinema.2018.v0i17.5121Keywords:
Sensibility, History, Reality, Imagination, Viewer, CinemaAbstract
It is not unknown the experience can be had that with the cinema, in the cinema or at home in front of the television. It is, as we know, an experience in a broad sense, since vital elements of all kinds converge, from moral to artistic. It is, then, a vital experience, of life, in which it is shown how the imagination, the imaginary, the real and the reality are related in the whole life of the human being. In this paper, it is proposed to show that the reflection and ideas of Julián Marías on the sensibility and imagination of the film viewer is an Aesthetic in the first sense that can be attributed to the most recent of the philosophical disciplines, namely, as know about one's sensitibility In this case it is about one that approaches or lives the cinematographic experience. Julián Marías to explain himself develops the concepts of imagination, reality and history. From them can account for the sensitivity of the cinema viewer.
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