Cuando la historia y el patrimonio invaden la pantalla. Diálogo con Javier Olivares

Sebastián Alberto  Longhi Heredia; Aurora Forteza Martínez

doi:10.24310/Fotocinema.2021.vi22.11779

When history and heritage invade the screen. Dialogue with Javier Olivares

Authors

Sebastián Alberto Longhi Heredia Universidad de Huelva, España Argentina
Aurora Forteza Martínez Universidad de Huelva, España Spain

DOI:

https://doi.org/10.24310/Fotocinema.2021.vi22.11779

Keywords:

Olivares, Javier, Serials, History of Spain, Cultural Heritage, Historical Fiction, Social Representations

Abstract

In recent years, the genre of historical fiction has seen notable growth in Spanish television. With Isabel (2012-2014), Víctor Ros (2015-2016) and El Ministerio del Tiempo (2015-2020), Javier Olivares manages to give life to a unique universe, managing to invade viewers’ screens with historical characters linked to Spanish cultural heritage. Olivares, one of the most important producers and scriptwriters of Spanish fiction today, talks about the logic behind the production of fictional and historical series in this interview. Issues related to the (re) production and (re) creation of emblematic figures in the art and history of Spain, their aesthetic construction process, their degree of scope and thier impact on society, as well as the producer’s upcoming projects.

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Author Biographies

Sebastián Alberto Longhi Heredia , Universidad de Huelva, España

Sebastián-Alberto Longhi-Heredia (Córdoba, 1985 - Argentina) is a doctoral student in the Interuniversity Doctorate Program in Communication jointly with the universities of Cádiz, Huelva, Málaga and Seville. Graduated in Social Communication (UNC, Argentina), master in Historical and Natural Heritage (UHU, Spain), master in Communication and Culture (Université Paris 8 Vincennes-Saint-Dennis) is currently linked to the Heritage and Visual Arts in Europe research group and America (HUM068). It works on issues related to journalism and cultural heritage, socio-heritage representations in social networks, as well as the relationship between culture, tourism, the media and heritage.

Aurora Forteza Martínez , Universidad de Huelva, España

Aurora Forteza-Martínez (Palma, 1984 - Spain) is a doctoral student in the Interuniversity Doctorate Program in Communication jointly with the universities of Cádiz, Huelva, Málaga and Seville, in the line of Media Literacy and Educommunication (Media Literacy). Graduated in Teaching by the specialty of foreign languages ??and Master's degree in Information and Communication Technologies for Education and Digital Learning from the Antonio Nebrija University.

References

Berger, P. L., Luckmann, T., Zuleta, S. & others. (1968). La construcción social de la realidad (Vol. 975). Amorrortu Buenos Aires.
Castoriadis, C. (2007). La Institución Imaginaria de La Sociedad. Tusquets Editores. Recuperado de https://bit.ly/36hEiQj
Leyton-Rivas, R. (2007)., El Patrimonio Cultural en la Formación del Periodista Revista Re Presentaciones: Periodismo, Comunicación Y Sociedad. 2, 107–114. https://doi.org/https://bit.ly/2Xgi5i6

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Published

2021-01-31

How to Cite

Longhi Heredia , S. A. ., & Forteza Martínez , A. (2021). When history and heritage invade the screen. Dialogue with Javier Olivares. Fotocinema. Revista científica De Cine Y fotografía, (22), 498–512. https://doi.org/10.24310/Fotocinema.2021.vi22.11779

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Issue

No. 22 (2021): The History of Photography in Latin America (19th and 20th Centuries)

Section

Diálogos y reseñas

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