No. 30-31 (2010)

View No. 30-31 (2010)

DOI: https://doi.org/10.24310/BoLArte.2010.v0i30-31

Published: 2018-03-15

Research Paper

Works and labors of carpenters, goldsmiths and sevillian embroiderers in the province of Málaga wine during the second half of the 16th century

Antonio Joaquín Santos Márquez

13-32
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A work of hydraulic architecture and castral of the 16th century: the Old Cistern of Melilla

Antonio Bravo Nieto

33-46
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The Palace Carpegna of Rome: of Francesco’s Borromini intervention to headquarters of Sant Lucas Academy

Javier Cuevas del Barrio

47-72
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An unknown Velazquez´s portrait? Wolfgang Wilhelm Neoburg's Duke: Some news about politic signification of his visit to Spanish Royal Court

Susana Fernández de Miguel

73-86
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An unknown bust of “Ecce Homo” made Luisa Roldán “La Roldana”, and the theological meaning of this iconography into Spanish baroque sculpture

Fernando Llamazares Rodríguez

87-96
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Artistic gifts in Rome. On the occasion for Toribio of Mogroviejo´s sanctification

Fernando Quiles García

97-118
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The influence of the international Montee and cut stone architecture of the Renaissance of Extremadura

Francisco Sanz Fernández

119-146
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Of defective form and depraved taste? Jose Martin de Aldehuela's unpublished project for the tabernacle of the Málaga´s Cathedral (1796)

Rosario Camacho Martínez, Juan Antonio Sánchez López

147-168
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The Teresian Zodiac of the Klaubersd

Fernando Moreno Cuadro

169-184
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The flower of the Carmelo. Iconography and symbolic message of the conventual church of Carmen of Antequera (II)

María José Carmona Mato

185-202
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Action-contemplation: Carmelitan sermon concerning the double spirit of the prophet Elías. Iconographic reading of Vélez-Malaga's Carmelite Barefoot church and his wall paintings (II)

Antonio Manuel Peña Méndez

203-222
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The Art and the Pestilence. Since Middle Ages to XIX th, since Mythology from Local Reality

Milagros León Vegas

223-238
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The inventory of 1806-1814 and the digest of the Chapel Music´s repertory of the Malaga´s Cathedral in the functions contracted of beginning of the 19th century (I)

María José de la Torre Molina

239-270
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Religious iconography realized by andalusian women artists s of the 19th century

Matilde Torres López

271-286
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27´s Generation: Painting, Music and Poetry

Javier García-Luengo Manchado

287-300
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Garcia Lorca´s literary heresies from the Pro-franco aesthetics

Marta Castillo Lancha

301-326
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Relations between the restoration of historical architecture and the new construction during the postwar period in Oriental Andalusia

Javier Ordóñez Vergara

327-366
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Rome, archipelago of the memory. The city of the Duce between myth, project and reality

Belén Calderón Roca

367-384
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The industrial heritage and the museums: historical evolution and offers for museums in Europe

Luz María Gilabert González

385-402
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About dreams and realities. The management of the cultural heritage in rururbans contexts

Pilar Ordóñez Vergara

403-426
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The entry in scene of Léonce Rosenberg and the gallery L'Effort Moderne in the Paris of the Great War

Belén Atencia Conde-Pumpido

427-434
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Art, church and renovation. The influence of the postconciliar thought in the work of the sculptor Jose Maria Aguilar Collados (1909-1992)

Juan Manuel Martín Robles

435-456
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Christian iconography in the advertising of the illustrated magazines (1915-1935)

Eva María Ramos Frendo

457-478
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The Manuel Mingorance Acién's drawings on canvas of the decade of 1980

Enrique Castaños Alés, Antonia María Castro Villena

479-486
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Evolution and development in Art Market Acme and consolidation of Photography in the context of international markets: Joel Peter Witkin's case

Alexis Navas Fernández

487-510
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Around Pain and Body: Ron Athey's contemporary performance

Ana María Sedeño Valdellós

511-518
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Regina Jose Galindo or the Body as a Nation

Julia Ramírez Blanco

519-532
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Varia

Óscar Domínguez: El paisaje mental constructor de heterotopías

Silvia Álvarez Mena

535-541
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Rogelio López Cuenca: acciones y crítica en la práctica artística contemporánea

Caterina Iaquinta

543-549
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Exhibition reviews

Futurism en la Tate

María Jesús Martínez Silvente

615-616
- PDF (Español)
La virtualidad que nos viene

Francisca Torres Aguilar

617-620
- PDF (Español)
A veces, siempre: Robert Mapplethorpe

Miguel Ángel Fuentes Torres

621-625
- PDF (Español)
El color y el gesto: Carlos Barceló

Miguel Ángel Medina Torres

627-628
- PDF (Español)
Transtextualidad y Burla en la pintura de Francisco Peinado. La ruta del oro

Emilio Chavarría

629-634
- PDF (Español)
Diego Santos. Museum in the Mirror

Tecla Lumbreras Krau?el

635-637
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Oscar Niemeyer

Cristina Navajas Jaén

639-644
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Bibliographic comments

Ana Rita Sá Carneiro y Ramona Pérez Bertruy: Jardines históricos brasileños y mexicanos

José Miguel Morales Folguera

647-650
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Strollo, Rodolfo Maria: L’Osservatorio Astronomico del Tuscolo – Rilevamento e progetti

Laura Cemoli

650-654
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Ramírez, Juan Antonio: El objeto y el aura. (Des)orden visual del arte moderno

Mª Teresa Méndez Baiges

654-657
- PDF (Español)
Castillo Lancha, Marta: La nueva teatralidad. Lecturas de Lorca en los inicios de la escena actual (1960-1972)

Enrique Baena Peña

658-660
- PDF (Español)
Sanz Fernández, Francisco: Paisaje, percepciones y miradas urbanas de una ciudad del Renacimiento: Trujillo

Rosario Camacho Martínez

660-663
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Torres Aguilar, Francisca: El cartel de la Semana Santa de Málaga (1980-2008)

Juan Antonio Sánchez López

663-666
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Aragón Paniagua, Tatiana: Imágenes de la modernidad y la vanguardia en el cine de Jacques Tati

Juan Antonio Sánchez López

667-670
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López-Guadalupe Muñoz, Juan Jesús: Imágenes elocuentes. Estudios sobre patrimonio escultórico

Juan Antonio Sánchez López

670-673
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González Torres, Javier: Emblemata Eucharistica. Símbolos animados de la iconografía cristológica y sacramental

Juan Antonio Sánchez López

674-676
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Sánchez López, Juan Antonio. De Saulo a Paulo. Perspectiva iconográfica y dimensión artística del llamado "Apóstol de los Gentiles"

Francisco Javier Herrera Sierra

677-678
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