No. 6 (2024)

Portada Trasvases entre la literatura y el cine 6 (2024)

May 2023 - July 2024

Monograph Literary adaptations in the cinema of David Cronenberg coordinated by Juan Agustín Mancebo Roca (University of Castilla-La Mancha) and Manuel Arjona España (University of Málaga).

DOI: https://doi.org/10.24310/tlc62024

Published: 2024-10-14

Full Issue

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Monograph Introduction

Literary adaptations of Cronenberg's cinema

Juan Agustín Mancebo Roca, Manuel España Arjona

5-9
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Monográfico

Intertextual interferences between Lovecraft, Sartre, and Cronenberg

Alfonso Freire-Sánchez, Maria Fitó-Carreras, Montserrat Vidal-Mestre

10-23
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Cronenberg Adapts (Us to) McLuhan: Watching "Videodrome", Reading "Understanding Media"

Leonid Bilmes

24-49
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The Fly (1986): Science and Body Horror in David Cronenberg’s Cinema

Xavier Brito Alvarado, Ana Sedeño-Valdellos

50-63
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Making flesh the polluting word: David Cronenberg and The Naked Lunch by William Burroughs

Francisco Javier Fernández Pérez

64-87
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Ontology of Impact: A History of the Future in Crash (David Cronenberg, 1996)

Iván Gómez García

88-112
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Spider: The hallucination as a spring of reality

Oriol Alonso Cano

113-126
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Masks and Shadows. The construction of the self in A Dangerous Method (2011)

Guillermo González Hernández

127-153
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Miscellaneous

The Spanish postwar in rural western terms the film adaptations of Intemperie (2019) and Sordo (2018)

Álvaro López Fernández, Raúl Molina Gil

154-179
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Realistic comparisons: La isla de las mentiras by Paula Cons and La nostalgia de la mujer anfibio by Cristina Sánchez-Andrade

Richard Leonardo

180-202
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The Evolution of a Myth in the Adaptations of Sheridan Le Fanu's "Carmilla" (1872): "The Splattered Bride" (Vicente Aranda. 1972) and "The Carmilla Movie" (Spencer Maybee, 2017)

Váleri Codesido Linares

203-222
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Through the eyes of Sam Gifford in The day the Century Ended: his vision of World War II in contrast to that adopted by American war cinema

Enric Mas Aixalà

223-246
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Corpus

Catalog of adaptations in the new millennium: from literature to British cinema (2001-2020)

Irene Romero González

247-311
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Creator's Voice

The voice of the creators: interview with Salvador Simó

312-318
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Reviews

Sally Faulkner, Adaptaciones literarias en el cine y la televisión españoles. Historia, espacio, género, trad. de Manuel Cuesta, Madrid/Frankfurt am Main, Iberoamericana/Vervuert, 2023.

Silvia Carrandi Díaz

319-322
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Carlos Pranger and Rafael Malpartida, Literatura, pop-rock y cine. Un diálogo intermedial, Sevilla, Renacimiento, 2023.

Patricia Díaz-Arcos

323-328
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- HTML (Español)

No. 6 (2024)

Full Issue

Monograph Introduction

Literary adaptations of Cronenberg's cinema

Monográfico

Intertextual interferences between Lovecraft, Sartre, and Cronenberg

Cronenberg Adapts (Us to) McLuhan: Watching "Videodrome", Reading "Understanding Media"

The Fly (1986): Science and Body Horror in David Cronenberg’s Cinema

Making flesh the polluting word: David Cronenberg and The Naked Lunch by William Burroughs

Ontology of Impact: A History of the Future in Crash (David Cronenberg, 1996)

Spider: The hallucination as a spring of reality

Masks and Shadows. The construction of the self in A Dangerous Method (2011)

Miscellaneous

The Spanish postwar in rural western terms the film adaptations of Intemperie (2019) and Sordo (2018)

Realistic comparisons: La isla de las mentiras by Paula Cons and La nostalgia de la mujer anfibio by Cristina Sánchez-Andrade

The Evolution of a Myth in the Adaptations of Sheridan Le Fanu's "Carmilla" (1872): "The Splattered Bride" (Vicente Aranda. 1972) and "The Carmilla Movie" (Spencer Maybee, 2017)

Through the eyes of Sam Gifford in The day the Century Ended: his vision of World War II in contrast to that adopted by American war cinema

Corpus

Catalog of adaptations in the new millennium: from literature to British cinema (2001-2020)

Creator's Voice

The voice of the creators: interview with Salvador Simó

Reviews

Sally Faulkner, Adaptaciones literarias en el cine y la televisión españoles. Historia, espacio, género, trad. de Manuel Cuesta, Madrid/Frankfurt am Main, Iberoamericana/Vervuert, 2023.

Carlos Pranger and Rafael Malpartida, Literatura, pop-rock y cine. Un diálogo intermedial, Sevilla, Renacimiento, 2023.

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