El viejo y el mar filme animado de Alexandr Petrov

Carmen Vitaliana Vidaurre Arenas

doi:10.24310/tlc.5.2023.15525

Authors

Carmen Vitaliana Vidaurre Arenas Universidad de Guadalajara Mexico https://orcid.org/0000-0001-8390-5937

DOI:

https://doi.org/10.24310/tlc.5.2023.15525

Keywords:

Alexandr Petrov, Ernest Hemingway, Genette, transtextuality, comparative analysis

Abstract

In this paper we analyze the animated filmic hypertext made by Alexandr Petrov, derived from the novel by Ernest Hemingway, based on some proposals made by Gérard Genette on transtextuality, to highlight the main phenomena of transformation that are verified in the film, regarding the literary work, as well as its semantic consequences.

Among these transformations are the reduction of the literary text, but also the reorganization of certain elements, the exclusion of some sociocultural anchor points that were indicated in the written work. These phenomena have important semantic consequences and guide the interpretation of the plot in a different sense from that of the original text.

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