The adaptation of Perdita Durango: from Barry Gifford to Álex de la Iglesia
DOI:
https://doi.org/10.24310/Trasvasestlc.vi4.13669Keywords:
Rituality, santeria, border, adaptation, criminal, memory, postmodernityAbstract
This article discusses the film adaptation of the novel 59 Degrees and Raining: The Story of Perdita Durango by Álex de la Iglesia, contextualizing Barry Gifford's literature, his cinematographic imaginary, his relationship with industry, and with other directors. We consider the references on which the book's plot and the adaptation are based, as well as we also consider links, influences and omissions on which the film is founded. The article concludes with the postmodernist correlation of both stories, in which the quotation is articulated as a rememoration of the cinematographic image in the social imaginary.
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