Stanley Kubrick y la espiral del tiempo
DOI:
https://doi.org/10.24310/Fotocinema.2016.v0i12.6045Abstract
El concepto de tiempo ha suscitado diversos debates y discusiones en diferentes campos del conocimiento, entre ellos, el de la filosofía, que ha intentado conceptualizar y formular teorías que expliquen este fenómeno. La aparición del cine a finales del siglo XIX ha permitido trasladar el debate sobre la naturaleza del tiempo hacia este medio, debido a su capacidad para producir imágenes en movimiento. Cineastas como Stanley Kubrick han intentado trasladar una visión filosófica personal acerca del tiempo en sus films, aportando un material interesante para el análisis. Esta investigación pretende determinar las visiones filosóficas acerca del tiempo en el cine, en este caso en la película El resplandor (The Shining, Kubrick, 1980), largometraje realizado a partir de la adaptación de la novela homónima de Stephen King (2012) que ha significado un hito del género de cine de terror.
Abstract:
The concept of time led to debates and discussions in different fields of knowledge, including that of philosophy, which has tried to conceptualize and theorize to explain this phenomenon. The emergence of cinema in the late nineteenth century has allowed to switch the debate on the nature of time in to this medium, because of its ability to produce images in motion. Filmmakers like Stanley Kubrick have tried to portrait a personal philosophical view about the time in his films, providing an interesting material for analysis. This research aims to determine the philosophical views about time in film, in this case in the film The Shining (Stanley Kubrick, 1980), a film made from the adaptation of the novel by Stephen King (2012) that has meant a milestone of the genre of horror.
Palabras clave:
Tiempo; filosofía; Deleuze; Kubrick; análisis; cine.
Keywords:
Time; Philosophy; Deleuze; Kubrick; Analysis; Cinema.Downloads
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