Dialogues between images and sounds in the urban imaginary. Barcelona's rhythms
DOI:
https://doi.org/10.24310/Fotocinema.2022.vi24.13834Keywords:
Soundtracks, Cinema and City, Film Analysis, Contemporary Art, Collective Memory, Cultural StudiesAbstract
Our study explores the sounds of the city in its relationship with the movies in the intention of observing how an imaginary of the city of Barcelona has been built and deconstructed through contemporary cinema. Seen as a whole it provides a plural, polyphonic and heterogeneous vision of Barcelona’s city. Relying on an audiovisual corpus of extremely diverse objectives, durations, cinematographic genres and modes of communication such as video-clips, fictional movies, official films of the Olympic Games and several documentaries, we will try to show that the sounds with which the city has been associated, taken as a whole, have played a fundamental role in the configuration of a complex imaginary of the city of Barcelona, thereby contributing to reveal its multiversal character. In its dialogue with images, sound establishes, contradicts and reinforces intertextual threads between various productions, making a trace in a collective memory that contributes to performative reinterpretation.Downloads
Metrics
References
Downloads
Published
How to Cite
Issue
Section
License
All contents published in Fotocinema Revista científica de cine y fotografía are protected under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license. All about this license is available in the following link: <http://creativecommons.org/licenses/by-nc-sa/4.0>
Users can copy, use, redistribute, share and exhibit publicly as long as:
- The original source and authorship of the material are cited (Journal, Publisher and URL of the work).
- It is not used for comercial purposes.
- The existence of the license and its especifications are mentioned.
There are two sets of authors’ rights: moral and property rights. Moral rights are perpetual prerogatives, unrenounceable, not-transferable, unalienable, imprescriptible and inembargable. According to authors’ rights legislation, Fotocinema. Revista científica de cine y fotografía recognizes and respects authors moral rights, as well as the ownership of property rights, which will be transferred to University of Malaga in open access. The property rights are referred to the benefits that are gained by the use or the dissemination of works. Fotocinema. Revista científica de cine y fotografía is published in an open access form and it is exclusively licenced by any means for doing or authorising distribution, dissemination, reproduction, , adaptation, translation or arrangement of works.
Authors are responsable for obtaining the necessary permission to use copyrighted images.