Topography of the Emotions, Intertextuality, and Iconographic programs in Julieta (Pedro Almodóvar, 2016)
DOI:
https://doi.org/10.24310/Fotocinema.2021.v23i.12381Keywords:
Film, Almodóvar, Kitchen, Intertextuality, IconographyAbstract
Even when certain critical theoreticians have claimed that Julieta opens a new Almodóvar era, a less Almodóvarian period, the film writing revisits the same visual and narrative themes of previous works. The aim of this paper is to study and classify those themes, from way the story is formalized and new intertexts –sculptural, pictorical, architectural– are added, to the irruption and proliferation of the kitchen as the place-origin of an emotional, topographic map of the protagonist, as well as the shaping of unique iconographies around the idea of sex and female visage.
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