Zorba the Greek or when Nietzsche danced the Syrtaki

Authors

  • Alejandro Valverde García Universidad de Salamanca Spain

DOI:

https://doi.org/10.24310/Trasvasestlc.vi2.9444

Keywords:

Neo-Hellenic Literature, Greek Cinema, Greek Tragedy, Nikos Kazantzakis, Michael Cacoyannis, Euripides, Zorba the Greek

Abstract

After the international success obtained by his filmic transposition of the tragedy of Euripides, Electra, director Michael  Cacoyannis adapts for the cinema a  famous novel by Cretan writer Nikos  Kazantzakis, creating a work of art  completely independent, which even  surpasses the popularity of its literary  source. This article analyses this film,  Zorba the Greek, having into account  not only the reading of the text that  inspires it, but also other cultural  references present in it such as the old  Attic drama, represented on the  screen by the Greek actress Irene  Papas, Nietzsche's existentialist  thinking, Italian Neorealism and the  films of the golden years of  Hollywood.

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Author Biography

Alejandro Valverde García, Universidad de Salamanca

Jefe del Departamento de Lenguas Clásicas

Miembro colaborador de Classical Reception Studies Network, Proyecto Imagines, Classici Contro y Jocasta Reception Studies Greece

References

AGATHOS, Thanasis (2007), Apó to «Bíos kai Poleitía tou Aléxi Zormpá» sto «Zorba the Greek», Atenas, Aigókeros.

AGATHOS, Thanasis (2017), Níkos Kazantzakis ston kinimatografo, Atenas, Gutenberg.

BASEA, Erato (2015), «Zorba the Greek, Sixties exotica and a new cinema in Hollywood and Greece», en Studies in European Cinema, Londres, Routledge, págs. 60-76 [en línea: https://www.tandfonline.com/doi/abs/10.1080/17411548.2015.1015830. Fecha de consulta 02/03/2020].

BIEN, Peter (2000), «Nikos Kazantzakis’s Novels on Film», Journal of Modern Greek Studies, 18/1, págs. 161-169.

FOTOPOULOS, Vassilis (2007), Vassilis Fotopoulos, Atenas, Museo Benaki.

GARANTOUDIS, Evripidis (2008), «Zorba the Greek tou Mijali Kakogianni kai Bíos kai Politeía tou Alexi Zormpá tou Níkou Kazantzaki: mia sýnkrisi ypó ti skiá tis próslipsis tou kazantzakikoú érgou», Comparaison, 19, págs. 50-84 [en línea: http://rdo.upatras.gr/v1/public/files/440/file109.pdf. Fecha de consulta 02/03/2020].

GEORGAKAS, Dan (2005), «From Stella to Iphigenia: The woman-centered films of Michael Cacoyannis», Cineaste, 30/2, págs. 24-30.

HADJIKYRIACOU, Achilleas (2015), Masculinity and gender in Greek Cinema 1949-1967, Nueva York/Londres, Bloomsbury.

KARALIS, Vrasidas (2012), A History of Greek Cinema, Londres/Nueva York, Continuum.

KARALIS, Vrasidas (2016), Realism in Greek Cinema. From the post-war period to the present, Londres/Nueva York, I. B. Tauris.

KATSAN, Gerasimus (2016), «The Hollywood Films of Irene Papas», Journal of Modern Hellenism, 32, págs. 31-43 [en línea: http://journals.sfu.ca/jmh/index.php/jmh/article/viewFile/294/296. Fecha de consulta 02/03/2020].

KAZANTZAKIS, Nikos (2015), Zorba el griego (Vida y andanzas de Alexis Zorba), trad. de Selma Ancira, Barcelona, Acantilado.

KOLONIAS, Babis (1995), Mijalis Kakoyiannis. 36º Festival Kinimatografou Thessaloníkis, Atenas, Kastanioti.

MITROPOULOS, Aglae (1968), Découverte du cinema grec, París, Seghers.

REGENSBURGER, Dietmar (2005), «Are You Still in the Mood for Killing?: Mimetic Rivalry, Scapegoating and Sacrifice in Hitchcock´s Marnie, Cacoyannis´ Zorba the Greek and Pasolini’s Medea», en W. Palaver (ed.), Passions in Economy, Politics and the Media: In Discussion with Christian Theology. Beiträgezurmimetischen Theorie 17, Vienna, Lit Verlag, págs. 363-385.

SIAFKOS, Jristos (2009), Mijalis Kakoyiannis. Se proto plano, Atenas, Psijóyios.

STASINAKIS, Yorgos (2017), Kazantzakis-Zormpas. Mia aliziní filía, Atenas, Kastanioti.

TAYLOR, Timothy W. (1980), «Kazantzakis and the Cinema», Byzantine and Modern Greek Studies, 6, págs. 157-168 [en línea: https://www.cambridge.org/core/journals/byzantine-and-modern-greekstudies/ article/kazantzakis-and-thecinema/AE9F7F0E9AE0AA45A1CC3A3B2C413548. Fecha de consulta 02/03/2020].

TRIANTAFYLLIDES, Jason (2014), Michael Cacoyannis talks to Jason Triantafyllides, Atenas, Andy´s Publishers.

VALVERDE, Alejandro (2010), «La catarsis en la filmografía de Michael Cacoyannis», en F. Salvador Ventura (ed.), Cine y cosmopolitismo. Aproximaciones transdisciplinares a imaginarios visuales cosmopolitas, Santa Cruz de Tenerife, Intramar, págs. 11-24.

VALVERDE, Alejandro (2012), «Michael Cacoyannis, la sabiduría de la simplicidad», en F. Salvador Ventura (ed.), Cine y autor. Reflexiones sobre la teoría y la praxis de creadores fílmicos, Santa Cruz de Tenerife, Intramar, págs. 155-168.

VALVERDE, Alejandro (2013), «Actualización bibliográfica sobre la filmografía de Michael Cacoyannis», Estudios neogriegos, 15, págs. 191-206.

ZOGRAFOU, Magda y Mimima PATERAKI (2007), «The invisible dimensión of Zorba’s dance», Yearbook for Traditional Music, 39, págs. 117-131.

Published

2020-10-14

How to Cite

Valverde García, A. “Zorba the Greek or When Nietzsche Danced the Syrtaki”. Trasvases Entre La Literatura Y El Cine, no. 2, Oct. 2020, pp. 161-74, doi:10.24310/Trasvasestlc.vi2.9444.

Issue

Section

Nikos Kazantzakis: transpositions from paper to the big screen