Zorba the Greek or when Nietzsche danced the Syrtaki

Authors

  • Alejandro Valverde García Universidad de Salamanca Spain

DOI:

https://doi.org/10.24310/Trasvasestlc.vi2.9444

Keywords:

Neo-Hellenic Literature, Greek Cinema, Greek Tragedy, Nikos Kazantzakis, Michael Cacoyannis, Euripides, Zorba the Greek

Abstract

After the international success obtained by his filmic transposition of the tragedy of Euripides, Electra, director Michael  Cacoyannis adapts for the cinema a  famous novel by Cretan writer Nikos  Kazantzakis, creating a work of art  completely independent, which even  surpasses the popularity of its literary  source. This article analyses this film,  Zorba the Greek, having into account  not only the reading of the text that  inspires it, but also other cultural  references present in it such as the old  Attic drama, represented on the  screen by the Greek actress Irene  Papas, Nietzsche's existentialist  thinking, Italian Neorealism and the  films of the golden years of  Hollywood.

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Author Biography

Alejandro Valverde García, Universidad de Salamanca

Jefe del Departamento de Lenguas Clásicas

Miembro colaborador de Classical Reception Studies Network, Proyecto Imagines, Classici Contro y Jocasta Reception Studies Greece

References

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Published

2020-10-14

How to Cite

Valverde García, A. “Zorba the Greek or When Nietzsche Danced the Syrtaki”. Trasvases Entre La Literatura Y El Cine, no. 2, Oct. 2020, pp. 161-74, doi:10.24310/Trasvasestlc.vi2.9444.

Issue

Section

Nikos Kazantzakis: transpositions from paper to the big screen