The Adaptation of Letter to Greco in Smaragdis’ Kazantzakis
DOI:
https://doi.org/10.24310/Trasvasestlc.vi2.9422Keywords:
film adaptation, Karantzakis, Smaragdís, Letter to Greco, biopicAbstract
This paper analyses Yannis Smaragdis? film Kazantzakis (2017) as an adaptation of Nikos Kazantzakis? autobiographical novel Letter to Greco (1957). Assuming that the literary text is to be seen as a hypotext that can be altered, the study focuses on a comparison of the novelistic and filmic versions. As the paper suggests, Kazantzakis is largely based on the Letter to Greco, and this closeness to the novel often leads to artificiality. On the other hand, studying the novel?s transfer into film allows for a better understanding of the processes of adaptation, and of cinematographic allusion and quotation, since the presence of the filmic adaptations of Kazantzakis? novels by Jules Dassin, Michael Caccoyannis, and Michael Scorsese is prominent on Smaragdis? Kazantzakis.
Downloads
Metrics
References
AGATHOS, Thanasis (2017), O Nikos Kazantzakis ston Kinimatografo, Atenas, Gutenberg.
ALLEN, Graham (2000), Intertextuality, Londres, Routledge.
ANÓNIMO (2017), «To apólyto fiasko o “Kazantzakis” tou Smaragdí… Eídame kai Sxoliázoume», Kulturósupa, 11 de diciembre [En línea: http://www.kulturosupa.gr/cinemania/kazatzakis-eidame-stasinopoulou-22003/. Fecha de consulta: 12/03/2020].
ANÓNIMO (2018), «? ?azantzakis tou Smaragdi gyrizei ton kosmo kai apotheónetai», Protothema, 18 de diciembre [En línea: https://www.protothema.gr/culture/cinema/article/848317/o-kazadzakis-tou-smaragdi-gurizei-ton-kosmo-kai-apotheonetai/. Fecha de consulta: 12/03/2020].
ANTON, John P. (2010), «Kazantzakis’ Cretan Glance and the Divine Flame», Journal of Modern Greek Studies, 28/1, págs. 173-187.
BEATON, Roderick (1994), An Introduction to Modern Greek Literature, Oxford, Clarendon Press.
BEATON, Roderick (2009), O Kazantzakis, Monternistís kai Metamonternos, Atenas, Kastaniotis-Panepistimio Kritis.
BIEN, Peter (2007), Politics of the Spirit, vol. 1 y 2, Princeton, Princeton University Press.
CARTMELL, Deborah e Imelda WHELEHAN (eds.) (2007), The Cambridge companion to literature on screen, Cambridge/New York, Cambridge University Press.
GX (2017), «Kazantzakis (2017) tou Yanni Smaragdí», en CINEpilogués, 5 de diciembre [En línea: http://cine-lesxi.blogspot.com/2017/12/2017.html#more. Fecha de consulta: 20/02/2020].
IZZET, Aziz (1965), Nikos Kazantzaki: biographie, Paris, Plon.
KAZANTZAKI, Eleni (1974), Nikos Kazantzakis: El disidente, Barcelona, Planeta.
KAZANTZAKI, Eleni (1977), Nikos Kazantzakis. O Asymvívastos, Atenas, E. Kazantzaki.
KAZANTZAKI, Eleni (2007), «Pos eida na gráfetai i Anaforá ston Greko», en N. Kazantzakis, Anaforá ston Greko, Atenas, E. Kazantzaki, págs. 9-13.
KAZANTZAKI, Galatea (2007), Ánthropoi kai Yperánthropoi, Atenas, Kastaniotis.
KAZANTZAKIS, Nikos (1963), Carta al Greco: Recuerdos de mi vida (trad. de Delfín Leocadio Garasa), Buenos Aires, Lohlé-Lumen.
KAZANTZAKIS, Nikos (2007), Anaforá ston Greko, Atenas, E. Kazantzaki.
LEVITT, Morton P. (1980), The Cretan Glance: The World and Art of Nikos Kazantzakis, Columbus, Ohio University Press.
MCFARLANE, Brian (1996), Novel to Film. An Introduction to the Theory of Adaptation, Oxford, Oxford University Press.
MCFARLANE, Brian (2007), «Reading film and literature», en D. Cartmell e I. Whelehan (eds.), The Cambridge companion to literature on screen, Cambridge/New York, Cambridge University Press, págs. 15-28.
MUSEO HISTÓRICO DE CRETA (2004), Nikos Kazantzakis [En línea: http://www.historical-museum.gr/webapps/kazantzakis-pages/. Fecha de consulta 20/02/2020].
NEALE, Steve (2000), Genre and Hollywood, Londres, Routledge.
OLD BOY (2017), «“Kazantzakis” tou Yanni Smaragdí: Traguélafos», en ELculture, 28 de noviembre [En línea: https://www.elculture.gr/blog/article/???????????-???-??????-????????/. Fecha de consulta: 12/03/2020].
POLITIS, Linos (1994), Historia de la literatura griega moderna (trad. de Goyita Núñez), Madrid, Cátedra.
POLITIS, Linos (1998), Istoría tis Neoellinikís Logotechnías, Atenas, Morfotikó Ídryma Ethnikís Trápezas.
POLÝDOROS, Ánguellos (2017), «Kazantzakis», MyFilm, 22 de diciembre [En línea: https://www.myfilm.gr/v2/site-map/blogreviews/aggelos-polydoros/item/2422-kazantzakis-kazantzakis-2017. Fecha de consulta: 20/02/2020].
PREVELAKIS, Pantelís (1977), «O Kazantzakis. Vios kai Erga», ?etradia Eythinis, 3, págs. 9-45 [traducción inglesa: (1980-1981), «Kazantzakis: Life and Works», The Charioteer, 22-23, págs. 23-65].
PREVELAKIS, Pantelís (1984), Tetrakosia grámmata tou Kazantzakis ton Prevelaki, Atenas, E. Kazantzaki.
QUIROZ PIZARRO, Roberto (1997), Kazantzakis: Cronología y Bibliografía castellana e Iconografía poética, Santiago de Chile, Centro de Estudios Bizantinos y Neohelénicos.
ROILOS, Panagiotis (2006), «To mythistorimatikó ergo tou Kazantzaki: Eteroglossikoí afigités kai ideologuikés parerminíes», en K. E. Psichogios (ed.), Diethnís Epistimonikó Synedrio Nikos Kazantzakis: to ergo kai i próslipsí tou. Panepistimioúpoli Rethymnou, Gallos, 23-25 Apriliou 2004, Heraclio, Kentro Kritikís Logotechnías, págs. 271-239.
ROSENSTONE, Robert (2007), «In Praise of the Biopic», en R. Francaviglia y J. Ronitzky (eds.), Lights, Camera, History: Portraying the Past in Film, College Station and Arlington, Texas A&M University Press, págs. 11-29.
SACHAR, Hila (2019), Screening the Author. The Literary Biopic, Cham, Palgrave Macmillan.
SMARAGDÍS, Yannis (1996), «Kavafis», IMDB [En línea: https://www.imdb.com/title/tt0115849/?ref_=nm_flmg_dr_9. Fecha de consulta: 12/03/2020].
SMARAGDÍS, Yannis (2007), «El Greco», IMDB [En línea: https://www.imdb.com/title/tt0905329/?ref_=nm_flmg_dr_4. Fecha de consulta: 12/03/2020].
SMARAGDÍS, Yannis (2017), «Kazantzakis», IMDB [En línea: https://www.imdb.com/title/tt6078532/?ref_=nm_flmg_dr_1. Fecha de consulta: 12/03/2020].
STAMBÚLOGLU, Lila (2017), «Aristoúrgima o “Kazantzakis” tou Smaragdí!», Protagon, 29 de diciembre [En línea: https://www.protagon.gr/apopseis/editorial/aristourgima-o-kazantzakis-tou-smaragdi-44341540557. Fecha de consulta 12/03/2020].
TZIOVAS, Dimitris (2009), «From being to becoming: reflections on the enduring popularity of Kazantzakis», Byzantine and Modern Greek Studies, 33/1, págs. 83-91.
VITTI, Mario (1987), Istoría tis Neoellinikís Logotechnías, Atenas, Odysseas.
ZOUMPOULAKIS, Yannis (2017), «Telos gyrismaton tou Nikou Kazantzakis sti Gallía», To Vima, 18 de enero, s. pág. [En línea: https://www.tovima.gr/2017/01/17/culture/telos-gyrismatwn-toy-nikoy-kazantzaki-sti-gallia. Fecha de consulta: 21/01/2020].
ZOUMPOULAKIS, Yannis (2018), «? Kazantzakis thriambeuei sto Texas», en To Vima, 1 de mayo, s. pág. [En línea: https://www.tovima.gr/2018/05/01/culture/o-kazantzakis-thriambeyei-sto-teksas/. Fecha de consulta: 20/02/2020].
Entrevista a Yannis Smaragdís en el canal de televisión Star [En línea: https://www.youtube.com/watch?v=_RMakXy5f20. Fecha de consulta: 20/02/2020].
Entrevista a Yannis Smaragdís en el programa One Talk del canal de internet One Channel [En línea: https://www.youtube.com/watch?v=aFoMheOhtEw. Fecha de consulta: 20/02/2020].
Downloads
Published
How to Cite
Issue
Section
License
All authors published in this journal accept the following copyright terms:
a. Authors retain their authors´ rights (copyright) and grant First Publication Rights to the journal, which whill be published under a the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license. All about this license is available in the following link: <http://creativecommons.org/licenses/by-nc-sa/4.0>
b. Authors may separately establish additional agreements for the non-exclusive distribution of the version of the work published in the journal (e.g. including it in an institutional repository, or publishing it in a book) with an acknowledgement of its initial publication in this journal.
c. Authors are allowed and encouraged to disseminate their work electronically (e.g. in institutional repositories or on their own website) as this can lead to productive exchanges, as well as earlier and more extensive citation of published work.
The author is responsible for obtaining permission from the copyright holder when using copyrighted materials.
This electronic journal is published by University of Málaga (UmaEditorial), The journal is not responsible of the authors´ opinions and the facts they record on their articles. Spanish Philology Department (UAM) is neither responsible of the credibility nor the authenticity of the articles. Original issues of Edad de Oro, both printed and electronic version, are owned by Spanish Philology Department (UAM), thus it is necessary to cite the origin of any partial or total reproduction.