The Frankenstein Myth in Film: Transmediation and Science Fiction (Blade Runner and 2049)
DOI:
https://doi.org/10.24310/Trasvasestlc.v0i1.6574Keywords:
interdiscursive analysis, feminism, Gald´ós, Buñuel, TristanaAbstract
The objective of the present paper is to perform an interdiscursive analysis on the configuration of the character of Tristana in the novel by Benito Pérez Galdós and in the cinematographic adaptation of Luis Buñuel, both with a title of the same name as the main female character. In addition, we will try to find a historical motivation, under a feminist perspective, that justifies the main change that the filmmaker makes in the construction of the character. For this, it will be necessary to introduce someconcepts on interdiscursive analysis, proposed by Tomás Albaladejo, as well as basic notions about transduction, by Doležel.
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