Portraited death: aquatic nymphs and sleeping fine in victorian painting
DOI:
https://doi.org/10.24310/Eviternare.v0i7.8393Keywords:
Victorian; Pre-Raphaelite; Death; Sacrifice; Water; DreamAbstract
In the Victorian era there was a paroxysm of the cult of death. In that desire to dominate and contain the arbitrariness of it, art played an important role. In the Victorian aesthetic universe and more especially the pre-Raphaelite, one of the positions when it comes to representing death consisted in the poetization and idealization of the female corpse, specifically with a fetishistic nature. This was carried out through different narrative modes: aquatic death and sleeping death.
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References
Aznar Almazán, Sagrario (1990), “Pintura prerrafaelita, en el límite de la modernidad”, Espacio, Tiempo y Forma, Serie VII, Historia del Arte, t. 3, pp. 333-348.
Bachelard, Gaston (1978). El agua y los sueños : ensayo sobre la imaginación de la materia. Fondo de Cultura Económica: México.
Bronfen, Elisabeth (1992). Over her dead body: death, feminity and the aesthetic. Manchester University Press: Manchester.
Dijkstra, Bram, y Campos, Vicente (1994). Ídolos de perversidad: la imagen de la mujer en la cultura de fin de siglo. Debate: Madrid.
Doménech, Julia (2010). La belleza pétrea y la belleza líquida. El sujeto femenino en la poesía y las artes victorianas. Fundamentos: Madrid.
Museo Nacional Thyssen-Bornemisza (2014), Alma-Tadema y la pintura victoriana en la Colección Pérez Simón, pp. 11-15. Recuperado de: http://pdigital.museothyssen.org/index.html?revista=109073129&pagina=14126
Poulson, Christine (1999). The Quest for the Grail: Arthurian legend in British Art, 1840- 1920. Manchester University Press: Manchester.
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