Zama and the fragmented identity: a transposition interpretation
DOI:
https://doi.org/10.24310/Trasvasestlc.vi2.7599Keywords:
Antonio di Benedetto, Lucrecia Martel, Zama, transposition, identityAbstract
The following essay presents an interpretation about the cinematographic transposition made by filmmaker Lucrecia Martel about Zama (1956), a literary work by Antonio di Benedetto. To this end, we are going to take into account some theoretical questions about the concept of transposition, in order to think about this specific operation.
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BENEDETTO, Antonio di (2018), Zama, Buenos Aires, Adriana Hidalgo Editora.
GRÜNER, Eduardo (2005 [1969]), «Foucault: una política de la interpretación», Topos y tropos, 3, págs. 1-9 [En línea: http://www.toposytropos.com.ar/N3/pdf/gruner.pdf. Fecha de consulta: 10/03/2020].
MARTEL, Lucrecia (2017a), «El cine como arte de la dispersión, o un montón de pequeños detalles» [En línea: http://www.revistainvisibles.com/entrevista-con-lucrecia-martel.html. Fecha de consulta: 20/04/2020].
MARTEL, Lucrecia (2017b), «No puedo avalar con mi película las fantasías violatorias» [En línea: https://www.lanacion.com.ar/lifestyle/lucrecia-martel-no-puedo-avalar-con-mi-pelicula-las-fantasias-violatorias-nid2066908. Fecha de consulta 20/04/2020].
MONGES NICOLAU, Graciela (2017), «Prefacio», en P. Ricoeur, Teoría de la interpretación. Discurso y excedente de sentido, México, Siglo XXI.
RICOEUR, Paul (2017), Teoría de la interpretación. Discurso y excedente de sentido, México, Siglo XXI.
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