No. 32-33 (2012)

View No. 32-33 (2012)

DOI: https://doi.org/10.24310/BoLArte.2012.v0i32-33

Published: 2018-03-08

Research Paper

The Allegorical Emblematic tradition of the jeu de paume racket as an object of vanitas

José Javier Azanza López

11-39
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Alchemy and the Holy Grail. Excalibur by John Boorman

María Ángeles Caamaño

41-54
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Leopoldo Torres Balbás and teaching the history of architecture: the trace of the Free Education Institution and the pedagogical method of Giner de los Ríos

Belén Calderón Roca

55-67
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Art Nouveau arquitecture in Granada

Liliana Campos Pallarés

69-90
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The influence of Sassanid art on the Abbasid architectural decoration: from the fragmentation of the squinche to the creation of a three-dimensional decoration system

Alicia Carrillo Calderero

91-115
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Forgotten facet of the ancient church of Granada

María José Collado Ruiz

117-132
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Paradoxical tension, standardized limit and digital spaces. An aproximation to concepts, origins and fundamental invariables into Luis Gordillo´s creative and investigating processes

Iván De la Torre Amerighi

133-148
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The inventory of 1806-1814 and the digestof the Chapel music’s repertory of the Malaga’s Cathedral in the functions contracted of beginning of the 19th century (II)

María José De la Torre Molina

149-176
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Music in honour for Patron Saints of Málaga Ciriaco and Paula

Antonio Tomás Del Pino Romero

177-206
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Andrés de Carvajal’s Polychrome

Beatriz Prado Campos

207-222
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Animas box in the Parish Church of Santiago in Málaga

José Domínguez Cubero

223-232
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Distinguished dance. La Ribot's Works

Amparo Écija Portilla

233-250
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At the beginning was… the iconography of “Christ gathering his clothes” and its sources

Antonio Rafael Fernández Paradas, Rubén Sánchez Guzmán

251-264
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Pablo Picasso and cinematography

Laura Franco Carrión

265-280
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About the painter Bernabé Ximénez de Illescas, Sculptor Pedro de Mena's business agent in Lucena

Manuel García Luque

281-310
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A contribution to knowledge of Carmen Thyssen's Museum urban space in Málaga

Mª Victoria García Ruiz

311-322
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A Different Kind Of Tension. Artistic, marginal and musical discourses in scenes of Punk

Isabel María Guerrero Aparicio

323-330
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The bishop of Malaga Luis Fernandez of Cordova and the major altarpiece of Guadalcazar’s parochial temple

Sarai Herrera Pérez

331-338
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The wood ceilings of the Fine Arts Museum of Córdoba

Mª Ángeles Jordano Barbudo

339-350
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Cultural Heritage, the landscape of the expanded image

Clotilde Lechuga Jiménez

351-362
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Templum sive Theatrum. Stage resources and sacred space

Rubén López Conde

363-386
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La belleza física de la dama en El Decamerón de Boccaccio

Alejandro Luque Lacaze

387-414
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Nogales: of the Feria´s Dominion and the region “Olivenza´s Plain”, land of the luso-extremaduran stripe. Study of its patrimonial environment

José Maldonado Escribano

415-436
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Material sediment of an humanist life. Pablo de Céspedes’ inventory of properties

Pedro M. Martínez Lara

437-456
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Adam Fuss: Return to the seed

Miguel Ángel Medina Torres

493-512
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In Nomine Satanás: the image of Devil in the rock of the 80’s

Alexis Navas Fernández

513-528
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Saint Flaviano’s relics in Cathedral of Málaga: Art, iconography, removal and cult

Alberto Jesús Palomo Cruz

529-542
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Robert Crumb: From underground comics to illustration pictures of Genesis

Juan Carlos Pérez García

543-566
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The projects of the knowledge and the restoration for the conservation and valuation of architectures and art objects

Antonio Pugliano

567-590
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The neverexistents settlements. The unsuccessful projects by Instituto Nacional de Colonización (Córdoba)

Pablo Rabasco Pozuelo

591-612
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Strange iconographies: Saint Dimas in Glory, a little known thief

Rubén Sánchez Guzmán

613-630
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Works and labours by sevillian carpenters, silversmiths and embroiderers in Málaga and its province at second half of XVI century

Antonio Joaquín Santos Márquez

631-648
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Louis Philippe D’Orleans’ spanish gallery and his connections with the pictorial heritage of Córdoba

José Antonio Vigara Zafra

649-664
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Varia

Nuevos datos sobre la Inmaculada de la iglesia parroquial de San Ildefonso de Granada, una imagen de Pablo de Rojas

José Antonio Peinado Guzmán

667-674
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Exhibition reviews

Bill Viola: Obras Figurativas

Miguel Ángel Fuentes Torres

693-697
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Oscar Niemeyer

Cristina Navajas Jaén

699-704
- PDF (Español)
Muntadas. Entre/Between

Carmen Gaitán Salinas

705-707
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Bibliographic comments

Lozano Bartolozzi, Mª del Mar: Historia del urbanismo en España II. Siglos XVI, XVII y XVIII

Rosario Camacho Martínez

711-713
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Castillo Lancha, Marta: La nueva teatralidad. Lecturas de Lorca en los inicios de la escena actual (1960-1972)

Enrique Baena Peña

713-715
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Gila Medina, Lázaro (coord.): La escultura del primer naturalismo en Andalucía e Hispanoamérica (1580-1625)

David García Cueto

716-718
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Sánchez López, Juan Antonio: Modus Orandi. Estudios sobre iconografía procesional y escultura del barroco en Málaga

Carlos Serralvo Galán

718-724
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Giusto, Rosa Maria: Alessandro Galilei, il trattato di architettura

Juan María Montijano García

724-726
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Campa, Pedro F. y Daly, Peter M. (Eds.): Emblematic Images & Religious Texts. Studies in Honor of G. Richard Dimler, S. J., Early Modern Catholicism and the Visual Arts Series, vol. 2

José Julio García Arranz

727-730
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Jordano Barbudo, Mª Ángeles: La Sinagoga de Córdoba y las yeserías mudéjares en la Baja Edad Media

Belén Calderón Roca

731-732
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