Arnold Hauser A methodological analysis of "Impressionism" drawn from its Social History of Literature and Art
DOI:
https://doi.org/10.24310/Eviternare.v0i3.8176Keywords:
Theory, Methodology, Social History of ArtAbstract
The following article aims to analyze, from the perspective of the theory and methodology of the art as a discipline, the chapter that Arnold Hauser dedicates to the Impressionism in his Social History of Art. To do so, a critical study is going to be made, considering the historical context in which this work was born and putting the whole thing in relation to the different schools of theory and methodology of the art, including the latest visual studies.
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