VKHUTEMAS and its role in the Soviet post-revolutionary design
DOI:
https://doi.org/10.24310/Eviternare.v1i1.8208Keywords:
Vkhutemas; design; the 1920s; URSS; artistic educationAbstract
It’s hard to describe the relevance of the influence that the VKHUTEMAS had had in the history of soviet design, for it had taken its country to one of the most important revolutions since the October Revolution. Besides the creation of the first school of design in the East of Europe, it gave the possibility for highly skilled professionals to make their appearance, who had been capable of breaking with tradition and of creating a new kind of art. VKHUTEMAS just like the Bauhaus, became the heart of a new language and the driving force of the potential of a new generation. The main goal of this Project is to offer a brief explanation of the creation of a new system and a new methodic, which were completely variant to the ones known at the time in this country, that had no reason to feel jealous of the great European artistic core in the first years of the last century.
Downloads
Metrics
References
Arzamas. Recuperado de: http://arzamas.academy/courses/18 (Consulta: 11/09/16)
KHAN-MAGOMEDOV, S.O., Arkhitektura sovetskogo avangarda. Recuperado de: http://www.alyoshin.ru/Files/publika/khan_archi/khan_archi_1_000. html (Consulta: 13/05/16)
KLYUEV, M., Rossiyskoe napravlenie razvitiya dizayna: V K H U T E M A S. Recuperado de: http://www.gldesign.ru/index.php?catid=37:demo-52content&id=63:2009-05-06-21-30- 46&Itemid=37&option=com_content&view=article
(Consulta: 19/06/16)
KOYNOVA, N.V., Rol’ VKHUTEMASa i Baukhauza v stanovlenii obrazovaniya v oblastyah promyshlennogo dizayna. Recuperado de: http://cyberleninka.ru/article/n/rol-vhutemasa-i-bauhauza-v- stanovlenii-obrazovaniya-v-oblasti-promyshlennogo-dizayna (Consulta: 3/06/16)
KOYNOVA, N.V., Razvitie predstavleniya o forme v metodologii pervyh shkol dizayna VKHUTEMAS a i Baukhauza. Recuperado de: http://archvuz.ru/2011_22/62 (Consulta: 3/06/16)
Mobile Design Museum. Recuperado de: http://mobiledesignmuseum.ru/avangard/ (Consulta: 21/08/16)
Afisha Daily, Prostranstvo VKHUTEMASa: gid po festivalyu. Recuperado de: https://daily.afisha.ru/archive/gorod/archive/8064/ (Consulta: 1/06/16)
Recopilación de revistas de SA. Recuperado de: http://tehne.com/library/sovremennaya-arhitektura-zhurnal-1926- 1930 (Consulta: 12/07/16)
RARUS’S GALLERY. Recuperado de: http://www.raruss.ru/soviet- constructivism/3942-soviet-constructivism.html?start=4 (Consulta: 10/09/16)
Revista Togda. Recuperado de: http://www.togdazine.ru/tag/111 (Consulta: 15/08/16)
VVAA., Ot VKHUTEMASa k MARKHi, 1920-1936., A-Fond, Moscú, 2005. Recuperado de: https://issuu.com/marhi/docs/v-m (Consulta: 22/06/16)
Downloads
Published
How to Cite
Issue
Section
License
All the contents published in Revista Eviterna are subject to the Creative Commons Reconocimento-NoComercia-Compartirigual 4.0 license, the full text of which can be found at <http://creativecommons.org/licenses/by-nc-sa/4.0>
They may be copied, used, disseminated, transmitted and publicly exposed, provided that:
The authorship and original source of your publication (Journal, editorial and URL of the work) are cited.
They are not used for commercial purposes.
The existence and specifications of this use license are mentioned.
Copyright is of two kinds: moral rights and patrimonial rights. Moral rights are perpetual, inalienable, inalienable, inalienable, inalienable and imprescriptible prerogatives.
In accordance with copyright legislation, Revista Eviterna recognizes and respects the moral rights of the authors, as well as the ownership of the economic right, which will be transferred to the University of Malaga for dissemination in open access.
The economic rights refer to the benefits obtained by the use or disclosure of the works. Revista Eviterna is published in open access and is exclusively authorized to carry out or authorize by any means the use, distribution, disclosure, reproduction, adaptation, translation or transformation of the work.
It is the responsibility of the authors to obtain the necessary permissions of the images that are subject to copyright.