The modern image: Renaissance and Modernism through metamorphosis
DOI:
https://doi.org/10.24310/Eviternare.v0i3.8161Keywords:
Renaissance, modernism, iconography, metamorphosisAbstract
Iconography is a complex assignment that travels the intrincate paths of the images, which, like all knowledge, are tied to change. Such idea leads us to see the concept of methamorphosis as a possible basis for the iconographic analysis, especially of two moments highly related to this concept: the Renaissance and Modernism. Both appear to be juxtapossed, but in reality they are linked together by an invisible thread, the essential point of the analysis. Therefore, this approach’s objective is to search some reinterpretations in order to expand the horizon of iconographic knowledge and to enter into the essence of the cultural imaginaries that we inherit and that evenually we’ll transmit to the following generations.
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