Moviegoers at Woody Allen’s cinema

Stardust memories (1980), The purple rose of Cairo (1985) and Radio days (1987)

Authors

DOI:

https://doi.org/10.24310/Eviternare.vi11.13994

Keywords:

Art, Audience, Cinema attendance, Film makers, Films

Abstract

Woody Allen's cinema has always had a particular predilection for the ritual of the movie theater and how filmgoers appreciate and feel the films they watch. Woody Allen himself is a spectator of the works of other artists, who often shows true devotion for them. However, from his point of view as a creator, throughout his work, he sets his characters as spectators in cinemas, museums, and theaters, as well as readers of masterpieces of world literature. Thus, it is glimpsed how non-artist characters make use of manifestations such as cinema, music, and radio, by being mere spectators who consume art as an escape, even in some cases, preferring it over life. Through an analysis focused on the characters of Stardust Memories (Allen, 1980), The Purple Rose of Cairo (Allen, 1985), and Radio Days (Allen, 1987), diverse types of spectators will be contemplated within the work of the New York director: these combine the different gazes that are facing a movie screen, the work that is enjoyed, and the artist who creates it. In an era, the current one, in which the movie theater is losing its aura in favor of more homemade options, it is interesting to observe how, between bitterness and nostalgia, several fictional spectators’ gazes are reflected.

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References

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1. Filmografía analizada

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Allen, W. (Director). (1978). Interiores (Interiors). [Film]. USA: United Artists. https://www.imdb.com/title/tt0077742/

Allen, W. (Director). (1980). Recuerdos (Stardust Memories) [Film]. USA: United Artists. https://www.imdb.com/title/tt0081554/

Allen, W. (Director). (1985). La rosa púrpura del Cairo (The Purple Rose of Cairo) [Film]. USA: Orion Pictures. https://www.imdb.com/title/tt0089853/

Allen, W. (Director). (1986). Hannah y sus hermanas (Hannah and Her Sisters) [Film]. USA: Orion Pictures. https://www.imdb.com/title/tt0091167/

Allen, W. (Director). (1987). Días de radio (Radio Days) [Film]. USA: Orion Pictures. https://www.imdb.com/title/tt0093818/

Allen, W. (Director). (1988). Otra mujer (Another Woman) [Film]. USA: Orion Pictures. https://www.imdb.com/title/tt0094663/

Allen, W. (Director). (2013). Blue Jasmine [Film]. USA: Gravier Productions. https://www.imdb.com/title/tt2334873/

Cukor, G. (Director). (1940). Historias de Filadelfia (The Philadelphia Story) [Film]. USA: Metro-Goldwyn-Mayer. https://www.imdb.com/title/tt0032904/

https://www.imdb.com/title/tt0056801/

Fellini, F. (Director). (1973). Amarcord [Film]. Italy: PECF. https://www.imdb.com/title/tt0071129/

Ross, H. (Director). (1972). Sueños de seductor (Play It Again, Sam) [Film]. USA: Paramount. https://www.imdb.com/title/tt0069097/

Sandrich, M. (Director). (1935). Sombrero de copa (Top Hat) [Film]. USA: RKO Radio Pictures. https://www.imdb.com/title/tt0027125/

Curtiz, M. (Director). (1942). Casablanca [Film]. USA: Warner Bros. Pictures. https://www.imdb.com/title/tt0034583/

de Sica, V. (Director). (1948). Ladrón de bicicletas (Ladri di biciclette) [Film]. Italy: Produzioni De Sica. https://www.imdb.com/title/tt0040522/

Fellini, F. (Director). (1963). Fellini 8½ (8½) [Film]. Italy: Cineriz.

Published

2022-03-15

How to Cite

Casado Pérez, F. (2022). Moviegoers at Woody Allen’s cinema: Stardust memories (1980), The purple rose of Cairo (1985) and Radio days (1987) . Eviterna Journal, (11), 56–70. https://doi.org/10.24310/Eviternare.vi11.13994

Issue

Section

Dosier homenaje al profesor Francisco Juan García Gómez