Dibujar, Especular y más Dibujar. The Carduchos and Cajés, between the Italian Training and the Spanish School
DOI:
https://doi.org/10.24310/BoLArte.2019.v0i40.6496Abstract
Vicente Carducho and Eugenio Cajés were two of the most important Italian trained Spanish painters working in the Court of Spain of the first half of the 17th century. Both were key figures in the creation of the Madrid school and of its extension and expansion in the second half of the century. They not only collaborated together in a multitude of commissions, but some of the outstanding painters on the second half of the 17th century were formed in their respective studios.
The present article focuses on the figures of both artists as closely related personages. To do so this paper presents and analyses unknown drawings and paintings that expand their catalogues in both facets of their artistic production, and introduces new approaches of the close personal and professional relationship between the two artists.
Downloads
Metrics
Downloads
Published
How to Cite
Issue
Section
License
Todos los contenidos publicados en la revista Boletín de Arte están sujetos a la licencia Creative Commons Reconocimento-NoComercia-Compartirigual 4.0 cuyo texto completo puede consultar en <http://creativecommons.org/licenses/by-nc-sa/4.0>
Los/as autores/as cuyas contribuciones sean aceptadas para su publicación en esta revista conservarán el derecho no exclusivo de utilizar sus contribuciones con fines académicos, de investigación y educativos, incluyendo el auto-archivo o depósito en repositorios de acceso abierto de cualquier tipo.
La edición electrónica de esta revista esta editada por la Editorial de la Universidad de Málaga (UmaEditorial), siendo necesario citar la procedencia en cualquier reproducción parcial o total.