DOSSIER: Collaborative Art Practices // CAP#03

Authors

  • Javier Bermúdez Crítico de Arte y Comisario Independiente (Málaga) Spain
  • Laura Ruiz Independent Researcher (Málaga) Spain
  • Antonio Collados University of Granada Spain
  • Enrique Enrique Res Universidad de Málaga Spain
  • Saoia Olmo Alonso University of the Basque country (Bilbao) Spain https://orcid.org/0000-0001-8562-6739
  • Juan Canela Independent curator and writer (Barcelona) Spain

DOI:

https://doi.org/10.24310/Umatica.2020.v2i3.11313

Keywords:

ARTE COLABORATIVO, PEDAGOGÍA, COMISARIADO, ARTE RELACIONAL

Abstract

What collaborative artistic practices seek to place on the table is the importance of restoring the links between art and life, as an attempt to build the world regardless of economic and marketing issues.

Understanding art as something far removed from individualistic postulates, oblivious to issues such as authorship or originality, an attempt has been made for the "Dialogues" section of UMATICA to show part of this production network with a horizontal and transversal sense, through three initiatives or projects fully anchored in the maxim "Public space and social fabric: collaborative art in times of crisis", the title that gives rise to this issue of the magazine.

Downloads

Download data is not yet available.

Metrics

Metrics Loading ...

Author Biographies

Saoia Olmo Alonso, University of the Basque country (Bilbao)

Saioa Olmo Alonso  (Bilbao, 1976) es artista, profesora doctora de la Facultad de BBAA de la UPV/EHU y socia de Wikitoki. A través de su práctica artística explora las interacciones sociales: las transacciones, transferencias y transiciones que se generan en ellas.

Juan Canela, Independent curator and writer (Barcelona)

References

Ariño, A (2020). Cultura universitaria. Políticas para la Alma Mater. Valencia, Tirant humanidades.

Miessen, M. (2014). La pesadilla de la participación. Barcelona, dpr-barcelona.

Garcés, M ( 2017). Nueva Ilustración Radical. Barcelona, Cuadernos Anagrama.

Guy, J. (ed.) (2020), Curriculum. Contemporary Art Goes to School. Londres. Intellect books.

G.E.D. (2015). Ni arte ni educación [exposición]. Grupo de Educación Disruptiva (GED) de Matadero Madrid..

O’Neill, P. & Wils, M. (Eds.) (2010). Curating and the Educational Turn. Londres, Open Editions.

Published

2020-12-30

How to Cite

Bermúdez Pérez, J., Ruiz Becerra, . L., Collados Alcaide, A., Enrique Res , E. . ., Olmo Alonso, S., & Canela, J. (2020). DOSSIER: Collaborative Art Practices // CAP#03. UMÁTICA. Journal on Image Creation and Analysis, 2(3), 327–348. https://doi.org/10.24310/Umatica.2020.v2i3.11313