Design, intangible cultural heritage and "activation of the authentic": designing the value of cultural heritage as an "open-ended knowledge system"
DOI:
https://doi.org/10.24310/Idiseno.2011.v4i.12662Keywords:
design, cultural heritage, territorialisation, traditionAbstract
When talking about design for cultural heritage, it is more appropriate to talk about design processes for cultural heritage rather than design competences and scope. In this view, the valorisation of cultural heritage can be seen as a set of design processes (Lupo 2009). In an ideal lifecycle of cultural heritage, whether tangible or intangible (Lupo 2009), which we propose as linear (note that this simplification is only implemented as a rhetorical device and communicative expedient), we have at the beginning a cultural good that is still potential (which does not exist as it does not have a form), which is realised in forms of good and which, when it is collectively socialised and recognised, becomes an explicit good, and then a good that is enjoyed or activated by a community when it 'appropriates' it or participates in it in various forms. In the transition from one stage to the other, processes occur that are called respectively production (of the form) of the cultural good, recognition (of the meaning) of the cultural good and activation (of the function) of the cultural good.
Downloads
Download data is not yet available.
Metrics
Metrics Loading ...
References
Agamben, G. Profanazioni, Nottetempo, Roma 2005.
Baudrillard, J. Il sistema degli oggetti, Bompiani 2003 (ed. orig. 1968).
Bendix, R. In search of Authenticity: The formation of folklore studies, The University of Wisconsin Press, Madison 1997
Calzatrava, M. Restart. Un progetto di Maurizio Navone, Corraini 2008.
Caoci, A./Lai, F. Gli oggetti culturali. L’artigianato tra estetica, antropologia e sviluppo locale, FrancoAngeli, Milano 2007.
Cavalli Sforza, L. L’evoluzione della cultura, Codice edizioni, 2010.
Clifford, J. Strade. Viaggio e traduzione alla fin del sec. XX, Bollati Boringhieri, Torino 1999.
Cohen, E. “Authenticity and commoditization in tourism” in Annals of Tourism Research, volume 15, issue 3, 1988, pp. 371-386.
Colombo, P. (a cura di), Mestieri d’arte e made in Italy, Marsilio, Venezia 2009.
Diller, E./Scofidio, R. “Hostility to Hospitality” in Id., Back to the front: Tourism of war, Princeton Architectural Press, New York 1994.
EUROPEAN COMMISSION, Office de coopération Europe Aid (ed. by), Strategy for the development of Euro-Mediterranean cultural heritage: priorities from Mediterranean countries (2007–2013), Bruxelles 2007.
Flusser, V. Filosofia del design, Bruno Mondadori, Milano 2003.
Granelli, A./Scanu, M. (a cura di), (re)design del territorio, Fondazione Valore Italia, Roma 2009.
Greffe, X. Cultura e sviluppo locale, Nicolodi, Trento 2005.
Heinich, N. La sociologia del’arte, Il Mulino, 2004 (ed. orig. 2001).
Hobsbawm, E.J./Ranger, T. L’invenzione della tradizione, Einaudi, Torino 2002.
Kirshenblatt Gimblett, B. “Intangible heritage as metacultural production” in Museum International 56: 52-64, 2004.
Lott,i G. Il letto di Ulisse, Gangemi Editore, 2008.
Lupo, E. “Beyond localism, looking for sustainability. Designing “typical knowledge” active-action”, in Cipolla, C./Peruccio, P.P. (ed. by), Changing the change proceedings, Allemandi, Torino 2008.
Lupo, E., “Designing typical knowledge repertoires. The case of Chinese intangible heritage active-action”, in Ioannides, M./Addison/A. Georgopoulos, A./Kalisperis, L. (ed. by) Digital
Heritage. Proceedings of the 14th International Conference on Virtual Systems and Multimedia (Short Papers), Limassol, Cyprus October-2008.
Lupo, E. Il design per i beni culturali. Pratiche e processi innovativi di valorizzazione, FrancoAngeli, Milano 2009.
Lupo, E. “Beyond craft culture. Designing a new contemporary authentic”, in Design & Craft conference Proceedings, Bruxelles 2010.
Mac Cannell, D. The tourist. A new theory f the leisure class, Schocken Books, New York 1976.
Paloni, F./Ruggerini, M.G. Il futuro nelle mani. Artigiani senza età: dall'esperienza all'innovazione, FrancoAngeli, Milano.
Pine, G. Authenticity, Harvard Business School Press, 2007.
UNESCO, Convention for the Safeguarding of the Intangible Cultural Heritage, 2003.
Volontè, P. Le imprese sociali e i beni culturali, FrancoAngeli, Milano 2001.
Baudrillard, J. Il sistema degli oggetti, Bompiani 2003 (ed. orig. 1968).
Bendix, R. In search of Authenticity: The formation of folklore studies, The University of Wisconsin Press, Madison 1997
Calzatrava, M. Restart. Un progetto di Maurizio Navone, Corraini 2008.
Caoci, A./Lai, F. Gli oggetti culturali. L’artigianato tra estetica, antropologia e sviluppo locale, FrancoAngeli, Milano 2007.
Cavalli Sforza, L. L’evoluzione della cultura, Codice edizioni, 2010.
Clifford, J. Strade. Viaggio e traduzione alla fin del sec. XX, Bollati Boringhieri, Torino 1999.
Cohen, E. “Authenticity and commoditization in tourism” in Annals of Tourism Research, volume 15, issue 3, 1988, pp. 371-386.
Colombo, P. (a cura di), Mestieri d’arte e made in Italy, Marsilio, Venezia 2009.
Diller, E./Scofidio, R. “Hostility to Hospitality” in Id., Back to the front: Tourism of war, Princeton Architectural Press, New York 1994.
EUROPEAN COMMISSION, Office de coopération Europe Aid (ed. by), Strategy for the development of Euro-Mediterranean cultural heritage: priorities from Mediterranean countries (2007–2013), Bruxelles 2007.
Flusser, V. Filosofia del design, Bruno Mondadori, Milano 2003.
Granelli, A./Scanu, M. (a cura di), (re)design del territorio, Fondazione Valore Italia, Roma 2009.
Greffe, X. Cultura e sviluppo locale, Nicolodi, Trento 2005.
Heinich, N. La sociologia del’arte, Il Mulino, 2004 (ed. orig. 2001).
Hobsbawm, E.J./Ranger, T. L’invenzione della tradizione, Einaudi, Torino 2002.
Kirshenblatt Gimblett, B. “Intangible heritage as metacultural production” in Museum International 56: 52-64, 2004.
Lott,i G. Il letto di Ulisse, Gangemi Editore, 2008.
Lupo, E. “Beyond localism, looking for sustainability. Designing “typical knowledge” active-action”, in Cipolla, C./Peruccio, P.P. (ed. by), Changing the change proceedings, Allemandi, Torino 2008.
Lupo, E., “Designing typical knowledge repertoires. The case of Chinese intangible heritage active-action”, in Ioannides, M./Addison/A. Georgopoulos, A./Kalisperis, L. (ed. by) Digital
Heritage. Proceedings of the 14th International Conference on Virtual Systems and Multimedia (Short Papers), Limassol, Cyprus October-2008.
Lupo, E. Il design per i beni culturali. Pratiche e processi innovativi di valorizzazione, FrancoAngeli, Milano 2009.
Lupo, E. “Beyond craft culture. Designing a new contemporary authentic”, in Design & Craft conference Proceedings, Bruxelles 2010.
Mac Cannell, D. The tourist. A new theory f the leisure class, Schocken Books, New York 1976.
Paloni, F./Ruggerini, M.G. Il futuro nelle mani. Artigiani senza età: dall'esperienza all'innovazione, FrancoAngeli, Milano.
Pine, G. Authenticity, Harvard Business School Press, 2007.
UNESCO, Convention for the Safeguarding of the Intangible Cultural Heritage, 2003.
Volontè, P. Le imprese sociali e i beni culturali, FrancoAngeli, Milano 2001.
Downloads
Published
2011-01-09
How to Cite
Lupo, E. (2011). Design, intangible cultural heritage and "activation of the authentic": designing the value of cultural heritage as an "open-ended knowledge system". I+Diseño. Revista Científica De Investigación Y Desarrollo En Diseño, 4, 44–54. https://doi.org/10.24310/Idiseno.2011.v4i.12662
Issue
Section
Articles
License
Aquellos autores/as que tengan publicaciones con esta revista, aceptan los términos siguientes:- Los autores/as conservarán sus derechos de autor y garantizarán a la revista el derecho de primera publicación de su obra, el cuál estará simultáneamente sujeto a la Licencia de reconocimiento de Creative Commons que permite a terceros compartir la obra siempre que se indique su autor y su primera publicación esta revista.
- Los autores/as podrán adoptar otros acuerdos de licencia no exclusiva de distribución de la versión de la obra publicada (p. ej.: depositarla en un archivo telemático institucional o publicarla en un volumen monográfico) siempre que se indique la publicación inicial en esta revista.
- Se permite y recomienda a los autores/as difundir su obra a través de Internet (p. ej.: en archivos telemáticos institucionales o en su página web) antes y durante el proceso de envío, lo cual puede producir intercambios interesantes y aumentar las citas de la obra publicada. (Véase El efecto del acceso abierto).
14.png)
