Post-typography and resemantization

Wooden movable types in the Sebastián García Garrido’s works

Abstract

The sounds of movable types doomed to disappear, they are saved by the designer that switches in rhythm, harmony and counterpoint. Thus exists in all his works a search for the essence, of the primary, defining what of the basics, from the idea that in this case the organism itself deciduous, which is represented by schematic lines reminiscent of the art of primitive cultures, to art that shows the relationship of man and his universe.