Nietzsche in the Avant-Garde

Authors

  • Ana María De la Fuente Teixidó

DOI:

https://doi.org/10.24310/Claridadescrf.v6i0.3890

Keywords:

AVANT-GARDES, NIETZSCHE,

Abstract

The artistic avant-garde movements were born embedded in a world of change, to overthrow a system of declining orders. In the early twenties art experienced the first great crisis of the aesthetic canon that once defined it, the avant-garde put this in question causing the breakdown of traditional narrative and reinventing it to make one of the pillars of contemporary world, opening a door from the impossible to the possible.

As we will see in this article, Nietzsche´s work was able to anticipate the general coordinates of the avant-garde with the keys of his thought: nihilism, the dionysian / apollonian dichotomy and the will to power as main concepts to understand its genesis, the process of artistic action and meaning. His thinking will be covered at different stages, and will be interrelate with the avant-garde, especially with Dada and Surrealism.

 

 

Downloads

Download data is not yet available.

Metrics

Metrics Loading ...

Publication Facts

Metric
This article
Other articles
Peer reviewers 
0
2.4

Reviewer profiles  N/A

Author statements

Author statements
This article
Other articles
Data availability 
N/A
16%
External funding 
N/A
32%
Competing interests 
N/A
11%
Metric
This journal
Other journals
Articles accepted 
58%
33%
Days to publication 
1461
145

Indexed in

Editor & editorial board
profiles
Academic society 
N/A
Publisher 
Asociación para la promoción de la filosofía y la cultura en Málaga (FICUM) y UMAEditorial

Published

2014-01-01

How to Cite

De la Fuente Teixidó, A. M. (2014). Nietzsche in the Avant-Garde. Claridades. Revista De filosofía, 6(1), 114–129. https://doi.org/10.24310/Claridadescrf.v6i0.3890

Issue

Section

REFLEXIONES Y COMENTARIOS