Death as disappearing from the Self in the Work of Chantal Maillard

Authors

  • Alejandro González Jiménez-Peña Universidad de Málaga Spain

DOI:

https://doi.org/10.24310/Claridadescrf.v9i0.3737

Keywords:

EAST, WEST, DEATH, DISAPPEAR, CHANTAL MAILLARD, I, ART

Abstract

PALABRAS CLAVE

ORIENTE, OCCIDENTE, MUERTE, DESAPARECER,

CHANTAL MAILLARD, YO, ARTE

 

 ABSTRACT

Death is a relevant subject not only in the respective fields of philosophy or science, but in everyday life. Chantal Maillard, nourished by Eastern thought, shows us her vision of death understood as the dis-appearance of self. To do this, I will make a brief tour of some of his works –mainly Against art and other impostures, Poems to my death and India– where I will explain how the author understands the notion. I will try to reflect the most artistic part of his thinking about death in India, understood as chaotic of the creation of the universe. On the other hand, I will rely on another perspective to try to bring to the idea of death a line of thought less influenced by Eastern Hindu philosophy. Finally, I will make a comparison on how the idea of death in the East and West is understood.

 

 

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Author Biography

Alejandro González Jiménez-Peña, Universidad de Málaga

Alejandro González Jiménez-peña es escritor y graduado en Filosofía (Universidad de Málaga, UMA). Está cursando actualmente Antropología Social y Cultural en la Universidad Nacional de Educación a Distancia, UNED), al tiempo que prepara su doctorado en filosofía en la UMA.

Líneas de investigación:

Antropotanatología filosófica y filosofía de la muerte.

Publicaciones recientes:

El Réquiem de Weltschmerz. Los presagios del mal. Almería: Editorial Círculo Rojo, 2017.

Published

2017-12-19

How to Cite

González Jiménez-Peña, A. (2017). Death as disappearing from the Self in the Work of Chantal Maillard. Claridades. Revista De filosofía, 9(1), 159–178. https://doi.org/10.24310/Claridadescrf.v9i0.3737

Issue

Section

REFLEXIONES Y COMENTARIOS