Mística y naturalismo. Pablo de Rojas, San Juan de la Cruz y el Nazareno de los Mártires de Granada

Abstract

The identijication of the Nazarene Jesus's image of the old convent named Martyrs of Granada introduce us in the analysis of the process of advance towards the naturalism in the andalusian sculpture, the influence of the mystic (over all San Juan de la Cruz) and the historical circunstances, and the peculiar evolution of iconographic type of Christ carrying the cross on his aun back. lts importance is based on that it's the begining o! the andalusian processional sculpture.