The Translation of Repetition in ‘The Nightingale and the Rose’, by Oscar Wilde
DOI:
https://doi.org/10.24310/TRANS.2011.v0i15.3202Keywords:
Oscar Wilde, translating style, translating repetition, rhetoric.Abstract
This paper examines the concept of repetition, types of repetition, its connections to rhetoric and the roles it plays in the text. It also deals with translation issues and presents a comparative analysis of 13 translations of the short story ‘The Nightingale and the Rose’, by Oscar Wilde, whose results support the idea that translators are clearly predisposed to avoid a significant part of the repetitions of the original, despite the enormous stylistic value they may have.Downloads
Metrics
Downloads
Published
How to Cite
Issue
Section
License
All contents published in TRANS. Revista de Traductología are protected under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license. All about this license is available in the following link: <http://creativecommons.org/licenses/by-nc-sa/4.0>
Users can copy, use, redistribute, share and exhibit publicly as long as:
- The original source and authorship of the material are cited (Journal, Publisher and URL of the work).
- It is not used for comercial purposes.
- The existence of the license and its especifications are mentioned.
- ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original.
There are two sets of authors’ rights: moral and property rights. Moral rights are perpetual prerogatives, unrenounceable, not-transferable, unalienable, imprescriptible and inembargable. According to authors’ rights legislation, TRANS. Revista de Traductología recognizes and respects authors moral rights, as well as the ownership of property rights, which will be transferred to University of Malaga in open access.
The property rights are referred to the benefits that are gained by the use or the dissemination of works. TRANS. Revista de Traductología is published in an open access form and it is exclusively licenced by any means for doing or authorising distribution, dissemination, reproduction, , adaptation, translation or arrangement of works.
Authors are responsable for obtaining the necessary permission to use copyrighted images.