«Reinas unidas jamás serán vencidas»: drag queens en las voces superpuestas en español peninsular de RuPaul’s Drag Race

Autores/as

DOI:

https://doi.org/10.24310/TRANS.2021.v1i25.11450

Palabras clave:

RuPaul’s Drag Race, voice-over, Queer Linguistics, camp talk, (Queer) Audiovisual Translation Studies, drag queens

Resumen

RuPaul’s Drag Race (2009 – hoy) es un programa de telerrealidad y competición estadounidense conducido por RuPaul Charles, que ha convertido a las drag queens en un fenómeno mainstream. Después de analizar brevemente la figura controvertida de la drag queen a la luz del concepto de performatividad de Judith Butler, así como el drag lingo en relación al modelo establecido por Keith Harvey para identificar el camp talk, este artículo se centrará en el análisis del voice-over en español ibérico de las temporadas 8 (2016), 9 (2017) y 10 (2018). Se intentará analizar primariamente las decisiones tomadas por lor traductores para caracterizar lingüísticamente a las drag queens en la versión española disponible en Netflix. Las estrategias de traducción mencionadas en este artículo están parcialmente adaptadas a partir de una clasificación de Ranzato (2015) en su estudio sobre la traducción de las referencias culturales, y se centrarán en la reproducción creativa de la (semi-)homofonía, los términos drag, las referencias a la cultura pop y el género gramatical.

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Publicado

2021-12-30

Cómo citar

Passa, D. (2021). «Reinas unidas jamás serán vencidas»: drag queens en las voces superpuestas en español peninsular de RuPaul’s Drag Race. TRANS: Revista De Traductología, (25), 349–371. https://doi.org/10.24310/TRANS.2021.v1i25.11450

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