Caravaggio y Giordano Bruno: Modelos de disidencia y modernidad

Abstract

Caravaggio and Bruno were two importants names of the starts of the Baroque one, and given this we try to compare aspects of their lives and their works centering us in tbe common points that were established with respect to said aspects. We center ourselves for it in which their lives and works supposed of modernity and dissidence; so much artistic as philosophical, inserting said parallelisms inside the existing relation among the painting and the philosophy of the Baroque one.