El espectador indiscreto: supuestos para una relación en ¿conflicto? La recepción de la obra de arte contemporánea como problema. De la superación de los tópicos disciplinares a las nuevas exigencias comunicacionales (|)

Authors

  • Nuria Rodríguez Ortega
  • Carlos Miranda Más

DOI:

https://doi.org/10.24310/BoLArte.2006.v0i26-27.4567

Abstract

Framed in a project of Educational Innovation supported by the University of Malaga. The objective of the present issue is to show the results obtained from a study of field carried out in the centres of contemporary art placed in this city. Faced with the crisis of relationship between the artistic object
and his spectator, established since the beginning of the 20th Century. The purposes of the authors have been to verify the persistente of certain Pre-modern topics in the reception of the art works, due to this is one of the causes frequently put forward. Nevertheless, the results have provided several surprises, what have forced to reorient the routes of reflection and investigation.

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Published

2018-03-30

How to Cite

Rodríguez Ortega, N., & Miranda Más, C. (2018). El espectador indiscreto: supuestos para una relación en ¿conflicto? La recepción de la obra de arte contemporánea como problema. De la superación de los tópicos disciplinares a las nuevas exigencias comunicacionales (|). Boletín De Arte, (26-27), 629–646. https://doi.org/10.24310/BoLArte.2006.v0i26-27.4567

Issue

Section

Research Paper