In the Yes of No: Poetry Is Riots

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DOI:

https://doi.org/10.24310/umatica.2025.v8i8.22354

Keywords:

Expanded Writing, Feminism, Insurrection, Language and Poetry

Abstract

Based on both her own and others pieces of language, (KOP, Luz Pichel, Rimbaud, Delta 9, Daniel Durand, Hélio Oiticica, Fernanda Laguna), En sí del no questions the possibility of a relationship between poetry and insurrection, fire and poetic image, beyond the analogy of both as events that transform the understanding of a given (semantic or political) order, within a genealogy of negation. This it could well start with the Paris Commune and reach the first quarter of the 21st century, pierced by the disruptions of feminism, tentatively pushing the notion of “expanded writing” towards the world understood as the expressive mold and unmold of the language in which poems and riots are emitted.

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Author Biography

María Salgado, Universidad de Castilla-La Mancha

María Salgado (Madrid, 1984) is an artist and poet who combines writing and performance in the pursuit of a sound that reconnects us with world and desire, with the desire of world. Her last books are Orientada a Stein, REKORD, and Salitre, and the essay El Momento analírico. She has presented solo performances in museums like MAC Montreal (De lengua Trois (three) pieces), WKV Stuttgart (Die 1, die eine 3 wurde), MACBA (Lírica/3) and Museo Reina Sofía (Let her try), along with many other cultural centers and autonomous venues in Spain, Mexico, Peru, Paraguay, Argentina, and the United States. In collaboration with music composer Fran MM Cabeza de Vaca she created the trilogy of stage works Jinete Último Reino, which toured in contexts such as Festival de Otoño or auawirleben Teaterfestival. With the prestigious XXIX Beca de Artes Visuales Fundación Botín, awarded along with Argentinian filmmaker Clarisa Navas, they shot the film Vía Versus. Faculty member of the Fine Arts School of Cuenca (UCLM), she is also part of the independent research group on language and crisis Seminario Euraca, based in Madrid, the city where she lives and creates.

References

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Benjamin, W. (1991). Sobre el lenguaje en general y el lenguaje de los hombres (R. Blatt, Trad.). En Para una crítica de la violencia y otros ensayos. Iluminaciones IV (pp. 59-74). Taurus.

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Clark, L., & Oiticica, H. (2023). Fantasmática del cuerpo: Cartas 1964-1974 (P. Orellana, Trad.). Caja Negra.

Didi-Huberman, G. (2017). Insurreciones. Museu Nacional d’Art de Catalunya; Jeu de Paume.

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Oiticica, H. (1967). Seja marginal, seja herói [Be an outlaw, be a hero] [Serigrafía]. Philadelphia Museum of Art.

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Salgado, M. (2012a). En nuestros abecedarios se preparan anasilabarios [Póster, 1.ª ed.]. En R. Sánchez-Mateos Paniagua (Ed.), En nuestros jardines se preparan bosques. MUSAC.

Salgado, M. (2012b). En nuestros abecedarios se preparan anasilabarios [Póster, 2.ª ed.]. ANFIVBIA.

Salgado, M. (2010). 31 poemas. Puerta del Mar.

Salgado, M., & Pérez-Rodríguez, P. (2021). Corromperse por el palo de la belleza. AGLO, (4).

Published

2025-12-07

How to Cite

Salgado, M. (2025). In the Yes of No: Poetry Is Riots. UMÁTICA. Journal on Image Creation and Analysis, 8(8). https://doi.org/10.24310/umatica.2025.v8i8.22354