Historic Memory and Artificial Intelligence

Cultural Minorities and Digital Media in Artistic Creation

Authors

DOI:

https://doi.org/10.24310/umatica.2023.v5i6.18119

Keywords:

digital media, artistic creation, historic memory, glitch art

Abstract

This project presents the deconstruction of a video creation using AI. The production is approached by using AI resources as a creative collaborator and not merely as a tool for generating specific images. In this case, the digital tool Runway.ml has been used to conceptualize the work entitled Flamenco del Paleolítico. The use of this medium generates a reflection on the impossibility of AI being able to erase the human being in its entirety from the videos used for this project.

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Author Biography

Jose Antonio Vertedor Romero, Universidad de Málaga

PhD in Communication in the Audiovisual research line of the Interuniversity Doctorate Programme in Communication at the University of Málaga. Master's Degree in Interdisciplinary Artistic Production at the Faculty of Fine Arts in Malaga. Research grant for postgraduate studies at the University of Málaga. Scholarship for artist in residence at the Faculty of Fine Arts in Malaga. Degree in Fine Arts from the Faculty of Fine Arts in Malaga.

 

References

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Romero, P. G., (2021). El ojo partido. Flamenco, cultura de masas y vanguardias. Athenaica Ediciones Universitarias.

Published

2023-12-31

How to Cite

Vertedor Romero, J. A. (2023). Historic Memory and Artificial Intelligence: Cultural Minorities and Digital Media in Artistic Creation. UMÁTICA. Journal on Image Creation and Analysis, 5(6), 133–152. https://doi.org/10.24310/umatica.2023.v5i6.18119