The lined notebook
DOI:
https://doi.org/10.24310/Umatica.2022.v4i5.15920Keywords:
Accesibilidad, realidad, Teoría de la información, arte conceptualista, libertadAbstract
In this project entitled "The lined notebook" the artist, through artistic experimentation, affirms "that in reality we do not see the things around us but only see the images that cover those things. Things, therefore, remain inaccessible and mysterious forever. In the meantime, we move thanks to presumptions. Presumptions that are coherent and hence functional, but which enclose us in fiction.
German-born Uruguayan artist Luis Camnitzer (Lübeck, Germany, 1937) is one of the key figures of Latin American conceptual artist who has developed a prolific oeuvre ( as essayist, art critic, exhibition curator, pedagogue, lecturer, and creator of actions and objects) focused on the transformative capacity of art, which he considers, in essence, a product of reflection.
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