Available spaces I.
Liminality and linguistic hybridity in expanded field sculpture.
DOI:
https://doi.org/10.24310/Umatica.2020.v2i3.11189Keywords:
Liminality, Contemporary Art, Photoluminocinetism, Sculpture, hybridisationAbstract
This photographic series or photo-essay is the result of the research project La escultura como interfaz histórico de luz sólida of the Plan Propio of the University of Málaga, which consists of experimental artistic research based on the language of sculpture and its hybridisations with other disciplines, such as photography. To do this I have used methodological tools such as site-specific intervention, Photolumino-kinetics and the possibilities that expanded field sculpture offers in terms of the narratives that the significant object of the chosen environment can offer to what happens in it.
Photolumino-kinetics is a hybridisation between sculptural and photographic language, it is the theoretical corpus of my main thesis Photography as a medium for sculpture in movement, and one of my main lines of artistic research. The plastic experimentation focuses on the photolumino-kinetic intervention, or photography in prolonged exposure while acting with luminous elements in movement, in different parts of the building, arches of its façades and internal areas. Through a dialogue with its architecture, with the chosen environment, the artistic work transfers meaning to it, increasing its monumental and statuary charge, and this, in turn, endows the artistic work with poetic narrative.
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