Participative and collaborative art in Nantes public space:
An open-air gallery with a social/terminological dual engagement
DOI:
https://doi.org/10.24310/Umatica.2020.v2i3.11182Keywords:
activism, art, collective, participatory, collaborative, cultural districtAbstract
The French city of Nantes and its metropolitan area constitute a global epicentre in matters of public art, which could also play a referential role in the distinction between ‘participatory’ and ‘collaborative’ art, two adjectives needing a social and terminological disambiguation. Here they are exemplified on the one hand with singular sculptural-architectural installations made by international artists with the participation of local people, and on the other hand with compounded murals of Street art painted in co-laborative association by collectives of artists with art students, etc.
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