New data about a Roman sculpture in the Museum of Leon
DOI:
https://doi.org/10.24310/BAETICA.2013.v0i35.61Keywords:
Roman sculpture, IconographyAbstract
In this paper are added new data about a sculpture preserved in the Museum of León in relation to the identification and iconography.
Downloads
Metrics
References
ABAD CASAL, L.: “Iconografía de las estaciones en la musivaria romana” en Mosaicos romanos. Estudios sobre iconografía. Actas del Homenaje in Memorian de Alberto Balil Illana, Guadalajara 1990, 11-28, especialmente, 17ss.
ABAD CASAL, L.: “Horae, Tempora Anni y la representación del tiempo en la antigüedad romana”, Anas 7-8, 1994-1995, 79-87.
ATENEO, V.: 198 B; MARABINI MOEVS, M.T.: “Penteteris e le tre Hore nella pompè di Tolomeo Filadelfo”, BollArte 42, 1987, 1-37.
BALIL, A.: “Materiales para un “Corpus” de Escultura romana del Conventus Taraconensis (II)”, AEspA 35, 1962, 152, nº 9 nota 41.
BLANCO FREIJEIRO, A.: Mosaicos romanos de Mérida, (CME I) Madrid 1978.
BLÁZQUEZ, J.M., Mosaicos romanos de la Real Academia de la Historia, Ciudad Real, Toledo, Madrid y Cuenca, CME V, Madrid 1982, nº 26, láms. 20-23; 47-4
BREITENSTEIN, N.: Catalogue of terracottas Cypriote, Greek, Etrusco-Italian and Roman, Copenhagen 1941, 90-1, nºs.860-862, lám.1.
CLAVERIA NADAL, M.: Los sarcófagos romanos de Cataluña, C.S.I.R.-España, I,1, Murcia 2001, 10-12, nº 15ª, lám.VI,3
CUMONT, F.: Recherches sur le symbolisme funéraire des romains, París 1942.
DÍAZ-JIMÉNEZ, J.E.: “La villa romana de León”, BRAH 80, 1922, 446-62.
FERNÁNDEZ GALIANO, D.: Complutum. II Mosaicos, Madrid 1984.
FONTAN BARREIRO, R.: s.v. “Abundantia” en Lexicon Iconographiae Mithologiae Classicae (LIMC) I, 1-2, 1981, 7-10.
GRAU LOBO, L.: Catálogo de 100 piezas. Museo de León, Valladolid 1993, 64-5, fig. 32.
GRAU LOBO, L.: Museo de León, León 2007, 118-20, fig. p.118, con bibliografía previa.
HANFMANN, G.M.A.: The Season Sarcophagus in Dumbarton Oaks, I-II, Cambridge (Mass.) 1951
HILD, J.A.: s.v. “Horae” en DARENBERG, CH. y SAGLIO, E.: Dictionnaire des antiquités grecques et romaines, Paris 1900, 249-56
HOSEC, R.: s.v. “Flora” en, LIMC IV, 1-2, 1988, 137-9.
KRANZ, P.: Jahreszeiten-Sarkophage, Die antiken Sarkophagreliefs, V, 4, Berlin 1984, 249-61, nºs.339-413.
MACHAIRA, V.: s.v. “Horai” en LIMC V, 1-2, 1990, 502-10
OXÉ, A.: “Arretinische Reliefgefässe vom Rhein” en Materialien zur römisch-germanischen Keramik V, 1933, 8ss., 15, 23, 62ss.
PARRA, M.C. y SETTIS, S.: s.v. “Bona Dea” en LIMC III, 1-2, 1986, 120-3.
QUET, M.-H.: La mosaïque cosmologique de Mérida, Paris 1981.
RAMALLO, S.: Mosaicos romanos de Cartago Nova (Hispania Citerior), Murcia 1985.
RAUSA, F.: s.v. “Fortuna” en LIMC VIII, 1-2, 125-41.
REINACH, S.: Répertoire de reliefs grecs et romains, II, Paris 1912, 262,1.
SCHRÖDER, S.: “Tres sarcófagos de época romana en el Museo del Prado. Su iconografía y tipología” en NOGUERA CELDRÁN, J.M. y CONDE GUERRI, E. (eds.): El sarcófago romano, Murcia 2001, 157-60.
SIMON, E.: s.v. “Stagioni” en Enciclopedia dell’Arte Antica, VII, Roma 1966, 468-73.
STENGEL, P.: s.v. “Horai” en PAULY, A.F. VON y WISSOWA, G.: Realencyclopädie der klassischen Altrtumswissenschaft, VIII, Stuttgart 1913, cols. 2300-2313
VAQUERIZO, D. y NOGUERA, J.M.: La villa de El Ruedo. Almedinilla (Córdoba). Decoración escultórica e interpretación, Murcia 1997, 180-7, nº 21 y 188, nº 22.
VILLARD, L.: s.v. “Tyché” en LIMC VIII, 1-2, 1997, 115-25
Downloads
Published
How to Cite
Issue
Section
License
This journal provides immediate free access to its content on the principle of making research freely available to the public. All content published in Baetica. Modern and Contemporary History Studies are subject to the Creative Commons Acknowledgment-NoCommercial-ShareAlike 4.0 license, the full text of which can be found at <http://creativecommons.org/licenses/by-nc-sa/4.0>
They may be copied, used, disseminated, transmitted and publicly displayed, provided that:
The authorship and the original source of its publication (magazine, publisher and URL of the work) must be cited.
They are not used for commercial purposes.
The existence and specifications of this use license are mentioned.
Copyrights are of two kinds: moral and patrimonial. Moral rights are perpetual, inalienable, non-transferable, inalienable, unattachable and imprescriptible prerogatives. In accordance with copyright legislation, BAETICA. Estudios de Historia Moderna y Contemporánea recognizes and respects the moral right of the authors, as well as the ownership of the patrimonial right, which will be transferred to the University of Malaga for its open access dissemination. Economic rights refer to the benefits obtained from the use or disclosure of works. BAETICS. Estudios de Historia Moderna y Contemporánea is published in open access and is exclusively authorized to carry out or authorize by any means the use, distribution, disclosure, reproduction, adaptation, translation or transformation of the work.
It is the responsibility of the authors to obtain the necessary permissions of the images that are subject to copyright.
Authors whose contributions are accepted for publication in this journal will retain the non-exclusive right to use their contributions for academic, research, and educational purposes, including self-archiving or deposit in open access repositories of any kind.
The electronic edition of this magazine is edited by the Editorial of the University of Malaga (UmaEditorial), being necessary to cite the source in any partial or total reproduction.
2.png)
