The paragone of Arte de la Pintura by Francisco Pacheco: linguistic and discursive options of the textual strategy
DOI:
https://doi.org/10.24310/BAETICA.2006.v1i28.257Abstract
This essay intends to reuse some concepts developed by the textual semiotic for the analysis of the paragone included in the Arte de la Pintura by F. Pacheco (1649). The purpose is to investigate strategies of analysis enable us to conduct lexicological and terminological studies in which the linguistic units go beyond their mere referential or denotative value. In this particular case, we discuss the lexical and discursive options made by F. Pacheco in order to perform the persuasive objectives of his discourse as well as his own definition as textual subject.
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CALVO SERRALLER, F.: op. cit., 181; y BASSEGODA I HUGAS, B.: Introducción al Arte de la Pintura de Francisco Pacheco, edición crítica, Madrid 1990, 14.
CARDUCHO, V.: Diálogos de la Pintura, edición crítica de F. Calvo Serraller, Madrid 1979.
CÉSPEDES, P. (1605): Discurso de la Comparación de la Antigua y Moderna Pintura y Escultura, edición crítica de J. Rubio Lapaz y F. Moreno Cuadro, Córdoba 1998, 257.
ECO, U.: Lector in Fábula. La cooperación interpretativa en el texto narrativo, Barcelona 1979, 63.
FALLAY D´ESTE, L.: L’art de la peinture: peinture et théorie à Séville au temps de Francisco Pacheco, 1564-1644, Paris 2001, 439-59
GREIMAS. A. J. y COURTÉS, J.: Semiótica. Diccionario Razonado de la Teoría del Lenguaje, Madrid 1990, 126-30.
HELLWIG, K.: La literatura artística española del siglo XVII, Madrid 1999, 214-37
PACHECO F.: Arte de la Pintura, edición crítica de Bassegoda
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PACHECO, F.: A los profesores, 185.
RODRÍGUEZ ORTEGA, N.: Maneras y Facultades en los tratados de Francisco Pacheco y Vicente Carducho. (Tesauro
terminológico-conceptual), Málaga 2006, 173.
SÁNCHEZ CANTÓN, F. J.: Introducción al Arte de la Pintura de Francisco Pacheco, edición crítica, Madrid 1956, XV
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