On the "Philosophical" and "Poetic" in Valéry through Dance: Movement, Otherness, and the Creative Question

Authors

  • Álvaro Cueli Spain

Keywords:

poetic, philosophy, Valéry, dance, Carmen, otherness

Abstract

This research conducts an approach to the concept of the «philosophical» and the «poetic» within the work of Paul Valéry, primarily through the study of the issue in his Poetic and Aesthetic Theory and, more particularly, through his essay «Philosophy of Dance». Both concepts revolve around what Valéry terms «abstract thought», starting from different moments and aiming towards a purpose or not. Similarly, the author’s distinctions between the «philosophical» and the «poetic» find their analogy with «prose» and «verse», as well as with the question of «movement», «walking», «dance», and «otherness».

Downloads

Download data is not yet available.

References

AA. VV. (1988): Sevilla en la poesía, vol. I., Castillejo, Sevilla.

AA. VV. (2001): Antología del grupo poético de 1927, Cátedra, Madrid.

AA. VV. (2003): Teoría del Emplazamiento: Aplicaciones e implicaciones, Alfar, Sevilla.

ADORNO, T. (2004): Teoría estética, Akal, Madrid.

AZÚA, F. (1999): Baudelaire y el artista de la vida moderna, Anagrama, Barcelona.

BAUDELAIRE, C. (2013): Las flores del mal, Alianza Editorial, Madrid.

BAUDELAIRE, C. (2014): El esplín de París, Alianza Editorial, Madrid.

BENJAMIN, W. (2012): El París de Baudelaire, Eterna Cadencia, Buenos Aires.

ELIOT, T. S. (1959): Sobre la poesía y los poetas, Sur, Buenos Aires.

ELIOT, T. S. (2006): «La tradición y el talento individual», en Colección pequeños grandes ensayos: tomo II, Universidad Autónoma de México.

ELIOT, T. S. (2011): La aventura sin fin, Lumen, Barcelona.

GULLÓN, R. (1986): Una poética para Antonio Machado, Espasa-Calpe, Madrid.

JIMÉNEZ, J. R. (2005): Obra poética, Espasa, Madrid.

MACHADO, A. (1998): Obras completas, Espasa-Calpe, Madrid.

MALLARMÉ, S. (1987): Prosas, Alfaguara, Madrid.

PAZ , O. (2004): El arco y la lira, FCE, México.

ROMERO MURUBE, J. (1943): «Danza andaluza», en Sevilla en los labios, Luis Miracle, Sevilla.

RUPÉREZ, Á. (2007): Sentimiento y creación, Trotta, Madrid.

STEINER, G. (2001): Pasión intacta, Siruela, Madrid.

STEINER, G. (2002): Presencias reales, Destino, Barcelona.

URRUTIA, J. (2013): Hallar la búsqueda, Universidad de Valladolid.

VALÉRY, P. (1957): Oeuvres, vols. I y II, Gallimard, París.

VALÉRY, P. (1988): La idea fija, Visor, Madrid.

VALÉRY, P. (1995): Estudios literarios, Visor, Madrid.

VALÉRY, P. (1998): Teoría poética y estética, Visor, Madrid.

VALÉRY, P. (1999): Monsieur Teste, Visor, Madrid.

VALÉRY, P. (2000): Eupalinos o el arquitecto, El alma y la danza, Visor, Madrid.

VALÉRY, P. (2016): Filosofía de la danza, Casimiro, Madrid.

VERA BALANZA, M. T. y N. MELÉNDEZ MALAVÉ (2008): «El mito de Carmen: exotismo, romanticismo e identidad», Ámbitos. Revista Internacional de Comunicación, 17, pp. 343-354.

Downloads

Published

2024-12-25

How to Cite

Cueli, Álvaro. (2024). On the "Philosophical" and "Poetic" in Valéry through Dance: Movement, Otherness, and the Creative Question. Analecta Malacitana. Revista De La sección De Filología De La Facultad De Filosofía Y Letras, 45, 259–270. Retrieved from https://revistas.uma.es/index.php/analecta/article/view/21094

Issue

Vol. 45 (2024): Analecta Malacitana

Section

NOTAS

License

In the Analecta Malacitana Journal we are clearly committed to a policy of open access to scientific knowledge (See the Berlin Declaration).

Those authors who have publications with this journal accept the following terms:

This journal provides immediate free access to its content on the principle of making research freely available to the public. All content published on Margins is subject to the Creative Commons Attribution-No Derivatives 4.0 International license.

It is the responsibility of the authors to obtain the necessary permissions of the images that are subject to copyright.

Authors whose contributions are accepted for publication in this journal will retain the non-exclusive right to use their contributions for academic, research, and educational purposes, including self-archiving or deposit in open access repositories of any kind.

The electronic edition of this magazine is edited by the Editorial of the University of Malaga (UmaEditorial), being necessary to cite the source in any partial or total reproduction.

The authors may adopt other non-exclusive license agreements for the distribution of the version of the published work (for example: deposit it in an institutional telematic archive or publish it in a monographic volume) provided that the initial publication in this magazine.

Authors are allowed and recommended to disseminate their work through the Internet (for example: in institutional telematic archives or on their web page) before and during the submission process, which can produce interesting exchanges and increase citations to the published work. (See The effect of open access.)